{"title":"De monstruo a meretriz: gestación de la Quimera de Belerofonte en el Ovide moralisé a lo largo de la tradición textual del mito","authors":"Ana María Bocanegra Briasco","doi":"10.7203/mclm.10.25320","DOIUrl":"https://doi.org/10.7203/mclm.10.25320","url":null,"abstract":"","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138594712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Las vidas occitanas de santas tardomedievales: sacra infantia, formación e imitación","authors":"Sergi Sancho Fibla","doi":"10.7203/mclm.10.26065","DOIUrl":"https://doi.org/10.7203/mclm.10.26065","url":null,"abstract":"","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138595290","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The legend of Saints Quiricus and Julitta circulated in two different forms. The oldest, the Acta apocrypha, offers an implausible account of martyrdom, depicting the soon-to-be-three-year-old Quiricus as a militantly loquacious evangelizer, and his mother, Julitta, as an avid and enthusiastic disciple. This is the source preferred by early Iberian artworks. Conversely, the accounts descended from a fifth-century epistle composed by Theodore of Mopsuestia depict the saints in an entirely different light. In this version Julitta becomes the centre of narrative interest while Quiricus is reimagined as a figure at a pre-linguistic stage of development. This is the source favoured by medieval Iberian prose accounts. The distinction between the two branches raises questions concerning the relationship between orthodoxy and heterodoxy as well as the specific individual qualities of art and literature. This article argues that critical positions that fail to account for the influence of differing narrative forms will reveal only a small and potentially misleading part of the fuller picture. It becomes important in view of this to adopt a more holistic and nuanced approach towards questions of interpretation, reaching across traditional disciplinary boundaries so as to gain an insight into the richness and complexity of medieval production.
{"title":"Martyrdom, Motherhood, and the Aetiology of Infanticide: The Legend of Saints Quiricus and Julitta in Early Iberian Art and Literature","authors":"Andrew Beresford","doi":"10.7203/mclm.10.25785","DOIUrl":"https://doi.org/10.7203/mclm.10.25785","url":null,"abstract":"The legend of Saints Quiricus and Julitta circulated in two different forms. The oldest, the Acta apocrypha, offers an implausible account of martyrdom, depicting the soon-to-be-three-year-old Quiricus as a militantly loquacious evangelizer, and his mother, Julitta, as an avid and enthusiastic disciple. This is the source preferred by early Iberian artworks. Conversely, the accounts descended from a fifth-century epistle composed by Theodore of Mopsuestia depict the saints in an entirely different light. In this version Julitta becomes the centre of narrative interest while Quiricus is reimagined as a figure at a pre-linguistic stage of development. This is the source favoured by medieval Iberian prose accounts. The distinction between the two branches raises questions concerning the relationship between orthodoxy and heterodoxy as well as the specific individual qualities of art and literature. This article argues that critical positions that fail to account for the influence of differing narrative forms will reveal only a small and potentially misleading part of the fuller picture. It becomes important in view of this to adopt a more holistic and nuanced approach towards questions of interpretation, reaching across traditional disciplinary boundaries so as to gain an insight into the richness and complexity of medieval production.","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138595321","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Les cartes de la infanta Joana de Perpinyà: nova proposta d’identificació i de datació","authors":"S. Cingolani, Carles Vela Aulesa","doi":"10.7203/mclm.10.24966","DOIUrl":"https://doi.org/10.7203/mclm.10.24966","url":null,"abstract":"","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138594397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Els Deseiximents de Pere Pou contra Fals Amor, una polèmica literària del segle XV: 1. Transmissió textual i text crític","authors":"Sadurní Martí","doi":"10.7203/mclm.10.26606","DOIUrl":"https://doi.org/10.7203/mclm.10.26606","url":null,"abstract":"","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138596094","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article will review the principal Marian feasts in calendars and offices in use in the Crown of Aragon between the13th and 15th centuries. It will do so after building a corpus of manuscript and incunable liturgies, held in public librariesand Cathedral archives, examined and transcribed over a period of twenty years. Its objective is to trace the developmentof the Conception feast in the Crown of Aragon between the 13th and 15th centuries, placing its relative importance asa major or minor feast in contrast with other Marian feasts. Because the Conception feast was introduced during theMiddle Ages on 8 December, it merits particular attention and will be distinguished from the Expectation or DecemberAnnunciation feast, also called the Conception feast (18 December), with which there is often confusion. In the first partof the article, the Conception feast in its variants celebrated in the dioceses will be examined. In a second part of the article the Conception feast as celebrated by the religious Orders will be examined.
{"title":"The Feast of the Conception of the Virgin in the Crown of Aragon in Liturgy, Thirteenth to Fifteenth Century (Part I)","authors":"Lesley Twomey","doi":"10.7203/mclm.10.25896","DOIUrl":"https://doi.org/10.7203/mclm.10.25896","url":null,"abstract":"This article will review the principal Marian feasts in calendars and offices in use in the Crown of Aragon between the13th and 15th centuries. It will do so after building a corpus of manuscript and incunable liturgies, held in public librariesand Cathedral archives, examined and transcribed over a period of twenty years. Its objective is to trace the developmentof the Conception feast in the Crown of Aragon between the 13th and 15th centuries, placing its relative importance asa major or minor feast in contrast with other Marian feasts. Because the Conception feast was introduced during theMiddle Ages on 8 December, it merits particular attention and will be distinguished from the Expectation or DecemberAnnunciation feast, also called the Conception feast (18 December), with which there is often confusion. In the first partof the article, the Conception feast in its variants celebrated in the dioceses will be examined. In a second part of the article the Conception feast as celebrated by the religious Orders will be examined.","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138597357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La història de Teòfil d’Adana: edició crítica de la traducció catalana","authors":"Joan Perujo Melgar","doi":"10.7203/mclm.10.25727","DOIUrl":"https://doi.org/10.7203/mclm.10.25727","url":null,"abstract":"","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138596736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Hartmann von Aue was a fundamental and widely recognized German author of the end of the 12th century. Currently we are working on digital editions of Hartmann’s four narrative works, which are being hosted in the heiEditions digital edition infrastructure of the Universitätsbibliothek Heidelberg. This paper presents the main aspects of the TEI tagging model, developed in conjunction with the German institution and applied homogeneously to the four editions.
{"title":"TEI encoding of Hartmann von Aue – digital","authors":"Victor Millet, Lorena Pérez Ben","doi":"10.7203/mclm.10.26027","DOIUrl":"https://doi.org/10.7203/mclm.10.26027","url":null,"abstract":"Hartmann von Aue was a fundamental and widely recognized German author of the end of the 12th century. Currently we are working on digital editions of Hartmann’s four narrative works, which are being hosted in the heiEditions digital edition infrastructure of the Universitätsbibliothek Heidelberg. This paper presents the main aspects of the TEI tagging model, developed in conjunction with the German institution and applied homogeneously to the four editions.","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138596830","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The Pantheon by Goffredo da Viterbo is one of the most interesting and curious works in medieval Latin literature. Awork of history, but also of poetry, it has been the subject of a troubled composition, rethought and rewritten severaltimes, bringing back numerous tales belonging to rare traditions, whose origin is often unknown. Among these is thedescription of the journey to the earthly paradise of some Galilean monks, who left from the western coasts of Brittanyand reached their destination after crossing the ocean. The story is interesting for at least three reasons. First of all, forthe destination of the journey itself, since it is a successful journey to the earthly paradise. Secondly, since Goffredospeaks of a manuscript, in the distant Breton abbey of Saint Mathieu, where one can read of this journey, anticipating aliterary tradition that goes from Cervantes, to Scott, to Manzoni up to the present day. Finally, the journey of the monksis a journey into another temporal dimension, where time flows differently, a narrative peculiarity not very commonin medieval literature. In any case, the text presents inconsistencies that are not easily resolved. This study proposesan edition of the text based on the author’s autograph, compared with the witnesses of the previous editions, drawingindications on the working method of Goffredo da Viterbo and on the composition of the Pantheon.
Goffredo da Viterbo的《万神殿》是中世纪拉丁文学中最有趣、最令人好奇的作品之一。这是一部历史作品，也是一部诗歌作品，它一直是一个麻烦的创作主题，经过多次重新思考和重写，带回了许多属于罕见传统的故事，这些故事的起源往往是未知的。其中有一段描述了一些加利利僧侣从布列塔尼西海岸出发，漂洋过海到达人间天堂的旅程。这个故事有趣至少有三个原因。首先，对于旅程的目的地本身，因为这是一次成功的通往尘世天堂的旅程。其次，由于goffredos提到了一份手稿，在遥远的布列塔尼的圣马修修道院，人们可以在那里读到这段旅程，预测了从塞万提斯到斯科特，到曼佐尼直到今天的文学传统。最后，修士的旅程是进入另一个时间维度的旅程，在那里时间流逝的方式不同，这是中世纪文学中不太常见的叙事特点。在任何情况下，文本呈现不一致，不容易解决。本研究在作者亲笔签名的基础上提出了一个版本的文本，与以前版本的证人进行了比较，并对Goffredo da Viterbo的工作方法和万神殿的组成进行了说明。
{"title":"Il viaggio dei monaci galilei al paradiso terrestre nel Pantheon di Goffredo da Viterbo","authors":"G. Maggioni","doi":"10.7203/mclm.10.25917","DOIUrl":"https://doi.org/10.7203/mclm.10.25917","url":null,"abstract":"The Pantheon by Goffredo da Viterbo is one of the most interesting and curious works in medieval Latin literature. Awork of history, but also of poetry, it has been the subject of a troubled composition, rethought and rewritten severaltimes, bringing back numerous tales belonging to rare traditions, whose origin is often unknown. Among these is thedescription of the journey to the earthly paradise of some Galilean monks, who left from the western coasts of Brittanyand reached their destination after crossing the ocean. The story is interesting for at least three reasons. First of all, forthe destination of the journey itself, since it is a successful journey to the earthly paradise. Secondly, since Goffredospeaks of a manuscript, in the distant Breton abbey of Saint Mathieu, where one can read of this journey, anticipating aliterary tradition that goes from Cervantes, to Scott, to Manzoni up to the present day. Finally, the journey of the monksis a journey into another temporal dimension, where time flows differently, a narrative peculiarity not very commonin medieval literature. In any case, the text presents inconsistencies that are not easily resolved. This study proposesan edition of the text based on the author’s autograph, compared with the witnesses of the previous editions, drawingindications on the working method of Goffredo da Viterbo and on the composition of the Pantheon.","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138596477","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
María-Ángeles Herrero-Herrero, María Ángeles Llorca-Tonda
{"title":"NOVES APORTACIONS ALS ESTUDIS D'HAGIOGRAFIA MEDIEVAL I MODERNA","authors":"María-Ángeles Herrero-Herrero, María Ángeles Llorca-Tonda","doi":"10.7203/mclm.10.26304","DOIUrl":"https://doi.org/10.7203/mclm.10.26304","url":null,"abstract":"","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-12-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138595711","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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