{"title":"活泼的遗产","authors":"Monika Stobiecka","doi":"10.1558/jca.21635","DOIUrl":null,"url":null,"abstract":"This paper is an attempt to discuss the concept of lively heritage, based on examples of accidental encounters with animals at archaeological sites. The starting point of this study is criticism of the “sterilisation” or “sanitisation” of archaeological sites. Its theoretical discourse on sterilisation of the past begins with a brief reference to contemporary photography (Alfred Seiland’s “Imperium Romanum” series), which is contrasted with the innovative conservation strategy employed at the archaeological site in Agrigento, Sicily, and vital encounters with animals at selected Mediterranean archaeological sites: the Tombs of the Kings in Paphos, Cyprus, and the archaeological site of Soluntum, Sicily. By discussing my own ethnographic experiences of encountering animals that inhabit these two archaeological sites and how their presence helped me rethink the past and heritage, I challenge the concept of living heritage and propose in its place the term “lively heritage”, which extends beyond the confines of human-centred and institutionalised heritage, and argues that the prevailing meaning of heritage sites and their management remains limited to staged, constructed and sanitised notions of the past. Within this critical perspective, the actual embodied experience of visiting the sites while remaining attentive towards their hosts (various species of animals) opens up new possibilities for seeing lively heritage not only as biodiversity, but also as hospitality hubs.","PeriodicalId":54020,"journal":{"name":"Journal of Contemporary Archaeology","volume":" ","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2022-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Lively Heritage\",\"authors\":\"Monika Stobiecka\",\"doi\":\"10.1558/jca.21635\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper is an attempt to discuss the concept of lively heritage, based on examples of accidental encounters with animals at archaeological sites. The starting point of this study is criticism of the “sterilisation” or “sanitisation” of archaeological sites. Its theoretical discourse on sterilisation of the past begins with a brief reference to contemporary photography (Alfred Seiland’s “Imperium Romanum” series), which is contrasted with the innovative conservation strategy employed at the archaeological site in Agrigento, Sicily, and vital encounters with animals at selected Mediterranean archaeological sites: the Tombs of the Kings in Paphos, Cyprus, and the archaeological site of Soluntum, Sicily. By discussing my own ethnographic experiences of encountering animals that inhabit these two archaeological sites and how their presence helped me rethink the past and heritage, I challenge the concept of living heritage and propose in its place the term “lively heritage”, which extends beyond the confines of human-centred and institutionalised heritage, and argues that the prevailing meaning of heritage sites and their management remains limited to staged, constructed and sanitised notions of the past. Within this critical perspective, the actual embodied experience of visiting the sites while remaining attentive towards their hosts (various species of animals) opens up new possibilities for seeing lively heritage not only as biodiversity, but also as hospitality hubs.\",\"PeriodicalId\":54020,\"journal\":{\"name\":\"Journal of Contemporary Archaeology\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2022-09-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Contemporary Archaeology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1558/jca.21635\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHAEOLOGY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Contemporary Archaeology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1558/jca.21635","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHAEOLOGY","Score":null,"Total":0}
This paper is an attempt to discuss the concept of lively heritage, based on examples of accidental encounters with animals at archaeological sites. The starting point of this study is criticism of the “sterilisation” or “sanitisation” of archaeological sites. Its theoretical discourse on sterilisation of the past begins with a brief reference to contemporary photography (Alfred Seiland’s “Imperium Romanum” series), which is contrasted with the innovative conservation strategy employed at the archaeological site in Agrigento, Sicily, and vital encounters with animals at selected Mediterranean archaeological sites: the Tombs of the Kings in Paphos, Cyprus, and the archaeological site of Soluntum, Sicily. By discussing my own ethnographic experiences of encountering animals that inhabit these two archaeological sites and how their presence helped me rethink the past and heritage, I challenge the concept of living heritage and propose in its place the term “lively heritage”, which extends beyond the confines of human-centred and institutionalised heritage, and argues that the prevailing meaning of heritage sites and their management remains limited to staged, constructed and sanitised notions of the past. Within this critical perspective, the actual embodied experience of visiting the sites while remaining attentive towards their hosts (various species of animals) opens up new possibilities for seeing lively heritage not only as biodiversity, but also as hospitality hubs.
期刊介绍:
The Journal of Contemporary Archaeology is the first dedicated, international, peer-reviewed journal to explore archaeology’s specific contribution to understanding the present and recent past. It is concerned both with archaeologies of the contemporary world, defined temporally as belonging to the twentieth and early twenty-first centuries, as well as with reflections on the socio-political implications of doing archaeology in the contemporary world. In addition to its focus on archaeology, JCA encourages articles from a range of adjacent disciplines which consider recent and contemporary material-cultural entanglements, including anthropology, art history, cultural studies, design studies, heritage studies, history, human geography, media studies, museum studies, psychology, science and technology studies and sociology. Acknowledging the key place which photography and digital media have come to occupy within this emerging subfield, JCA includes a regular photo essay feature and provides space for the publication of interactive, web-only content on its website.