种植风向标:新自由主义、国际慈善和Anuradha Roy的《睡在木星上》(2015)中的前现代

IF 0.2 3区 文学 0 LITERATURE Journal of Postcolonial Writing Pub Date : 2023-03-04 DOI:10.1080/17449855.2023.2180772
Sayan Chattopadhyay
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引用次数: 0

摘要

摘要通过阿努拉德·罗伊的小说《睡在木星上》(2015),本文探讨了新自由主义资本主义与国际慈善之间的复杂关系,以及这种关系如何在全球南方创造和维持剥削和暴力场所。它用加亚特里·查克拉沃蒂·斯皮瓦克的“前现代”概念来解读罗伊对印度新时代道场的有力批判,在印度,土著父权制、性剥削、商品生产和国际慈善无缝融合在一起。这篇文章继续展示了这些前现代的场所,就像罗伊小说中的道场一样,是如何迎合国际慈善家行善的有问题的愿望,同时却忽视了贫困的原因。文章最后集中讨论了记忆和叙述前现代所固有的问题。这样做暴露了一个事实,即这些前现代遗址背后的超级剥削最终是来自全球北方的新自由资本主义和国际慈善的创造。
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Planting the weathervane: Neo-liberalism, international charity, and the premodern in Anuradha Roy’s Sleeping on Jupiter (2015)
ABSTRACT Through Anuradha Roy’s novel Sleeping on Jupiter (2015), this article explores the complex relationship between neo-liberal capitalism and international charity, and how this creates and sustains sites of exploitation and violence in the Global South. It uses Gayatri Chakravorty Spivak’s concept of the “premodern” to read Roy’s powerful critique of a new-age ashram in India where indigenous patriarchy, sexual exploitation, commodity production, and international charity seamlessly merge together. The article goes on to show how such sites of premodernity, like the ashram in Roy’s novel, cater to the problematic desire of international philanthropists to do good while remaining oblivious to the causes of destitution. The article concludes by focussing on the problems inherent in remembering and narrativizing the premodern. In doing so it exposes the fact that the super-exploitation underlying these sites of premodernity is ultimately the creation of neo-liberal capitalism and international charity coming from the Global North.
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来源期刊
CiteScore
0.80
自引率
0.00%
发文量
73
期刊介绍: The Journal of Postcolonial Writing is an academic journal devoted to the study of literary and cultural texts produced in various postcolonial locations around the world. It explores the interface between postcolonial writing, postcolonial and related critical theories, and the economic, political and cultural forces that shape contemporary global developments. In addition to criticism focused on literary fiction, drama and poetry, we publish theoretically-informed articles on a variety of genres and media, including film, performance and other cultural practices, which address issues of relevance to postcolonial studies. In particular we seek to promote diasporic voices, as well as creative and critical texts from various national or global margins.
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