津巴布韦另类性身份的流行文化表达

IF 0.9 2区 社会学 Q2 CULTURAL STUDIES Journal of African Cultural Studies Pub Date : 2022-01-02 DOI:10.1080/13696815.2021.2020086
Pauline Mateveke
{"title":"津巴布韦另类性身份的流行文化表达","authors":"Pauline Mateveke","doi":"10.1080/13696815.2021.2020086","DOIUrl":null,"url":null,"abstract":"ABSTRACT The dominant narrative within Zimbabwean popular cultural scholarship largely focuses on the Zimbabwean socio-economic and political crisis at the expense of alternative ideologies, identities and practices. I advocate for the urgency of expansive and wide-ranging epistemological attention to alternative sexual identities as part of a cultural studies research agenda. I argue that, although Zimbabwean homophobia has generally silenced alternative voices, popular culture offers channels through which to engage publicly with that which is generally loathed and feared. I discuss three Zimbabwean popular cultural archives to make the argument that it is through every day cultural practices that Zimbabwean alternative sexual identities can meaningfully be debated and conceptualised. I discuss a Zimbabwean dancehall song titled “Kumba Kwedu” (In Our Home) by the artist named Bazooker, the reception of Facebook activist Tatelicious Karigambe-Sandberg, and Tracy Kadungure’s novel Tanaka Chronicles: The Sexual Awakening. Through the selected popular cultural texts, I show how some Zimbabwean popular cultural expressions of alternative sexualities cleverly undermine heteronormative official values by constantly challenging the assumed heterosexual norm.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"34 1","pages":"32 - 47"},"PeriodicalIF":0.9000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Zimbabwean Popular Cultural Expressions of Alternative Sexual Identities\",\"authors\":\"Pauline Mateveke\",\"doi\":\"10.1080/13696815.2021.2020086\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT The dominant narrative within Zimbabwean popular cultural scholarship largely focuses on the Zimbabwean socio-economic and political crisis at the expense of alternative ideologies, identities and practices. I advocate for the urgency of expansive and wide-ranging epistemological attention to alternative sexual identities as part of a cultural studies research agenda. I argue that, although Zimbabwean homophobia has generally silenced alternative voices, popular culture offers channels through which to engage publicly with that which is generally loathed and feared. I discuss three Zimbabwean popular cultural archives to make the argument that it is through every day cultural practices that Zimbabwean alternative sexual identities can meaningfully be debated and conceptualised. I discuss a Zimbabwean dancehall song titled “Kumba Kwedu” (In Our Home) by the artist named Bazooker, the reception of Facebook activist Tatelicious Karigambe-Sandberg, and Tracy Kadungure’s novel Tanaka Chronicles: The Sexual Awakening. Through the selected popular cultural texts, I show how some Zimbabwean popular cultural expressions of alternative sexualities cleverly undermine heteronormative official values by constantly challenging the assumed heterosexual norm.\",\"PeriodicalId\":45196,\"journal\":{\"name\":\"Journal of African Cultural Studies\",\"volume\":\"34 1\",\"pages\":\"32 - 47\"},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2022-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of African Cultural Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1080/13696815.2021.2020086\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of African Cultural Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/13696815.2021.2020086","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 1

摘要

摘要津巴布韦流行文化学术界的主流叙事主要集中在津巴布韦的社会经济和政治危机上,而牺牲了其他意识形态、身份和实践。作为文化研究议程的一部分,我主张迫切需要对替代性身份进行广泛的认识论关注。我认为,尽管津巴布韦的恐同症通常会压制其他声音,但流行文化提供了公开参与普遍厌恶和恐惧的声音的渠道。我讨论了三个津巴布韦流行文化档案,以证明正是通过每天的文化实践,津巴布韦的另类性身份才能得到有意义的辩论和概念化。我讨论了一首津巴布韦舞厅歌曲《Kumba Kwedu》(在我们的家里),由一位名叫巴祖克的艺术家创作,Facebook活动家Tatelicious Karigambe Sandberg的招待会,以及Tracy Kadungure的小说《田中纪事:性觉醒》。通过选定的流行文化文本,我展示了津巴布韦一些流行的另类性文化表达是如何通过不断挑战假定的异性恋规范,巧妙地破坏非规范的官方价值观的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Zimbabwean Popular Cultural Expressions of Alternative Sexual Identities
ABSTRACT The dominant narrative within Zimbabwean popular cultural scholarship largely focuses on the Zimbabwean socio-economic and political crisis at the expense of alternative ideologies, identities and practices. I advocate for the urgency of expansive and wide-ranging epistemological attention to alternative sexual identities as part of a cultural studies research agenda. I argue that, although Zimbabwean homophobia has generally silenced alternative voices, popular culture offers channels through which to engage publicly with that which is generally loathed and feared. I discuss three Zimbabwean popular cultural archives to make the argument that it is through every day cultural practices that Zimbabwean alternative sexual identities can meaningfully be debated and conceptualised. I discuss a Zimbabwean dancehall song titled “Kumba Kwedu” (In Our Home) by the artist named Bazooker, the reception of Facebook activist Tatelicious Karigambe-Sandberg, and Tracy Kadungure’s novel Tanaka Chronicles: The Sexual Awakening. Through the selected popular cultural texts, I show how some Zimbabwean popular cultural expressions of alternative sexualities cleverly undermine heteronormative official values by constantly challenging the assumed heterosexual norm.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
1.70
自引率
10.00%
发文量
13
期刊介绍: The Journal of African Cultural Studies publishes leading scholarship on African culture from inside and outside Africa, with a special commitment to Africa-based authors and to African languages. Our editorial policy encourages an interdisciplinary approach, involving humanities, including environmental humanities. The journal focuses on dimensions of African culture, performance arts, visual arts, music, cinema, the role of the media, the relationship between culture and power, as well as issues within such fields as popular culture in Africa, sociolinguistic topics of cultural interest, and culture and gender. We welcome in particular articles that show evidence of understanding life on the ground, and that demonstrate local knowledge and linguistic competence. We do not publish articles that offer mostly textual analyses of cultural products like novels and films, nor articles that are mostly historical or those based primarily on secondary (such as digital and library) sources. The journal has evolved from the journal African Languages and Cultures, founded in 1988 in the Department of the Languages and Cultures of Africa at the School of Oriental and African Studies, London. From 2019, it is published in association with the International African Institute, London. Journal of African Cultural Studies publishes original research articles. The journal also publishes an occasional Contemporary Conversations section, in which authors respond to current issues. The section has included reviews, interviews and invited response or position papers. We welcome proposals for future Contemporary Conversations themes.
期刊最新文献
Performing the News: Yorùbá Oral Traditions on the Radio The Limits of Governmentality: Call-in Radio and the Subversion of Neoliberal Evangelism in Zambia Language, Authenticity, and Hiplife Music in Accra Ẹgbẹ́ Àtẹ́lẹwọ́: A Yorùbá Book Club and Its Decolonial Project Radio and Music Listening Practices in Colonial Mozambique: The Goan Experience
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1