{"title":"“美好的未来”:哈罗德·门罗、f·t·马里内蒂与英国早期现代主义诗歌","authors":"R. Jakeman","doi":"10.1353/mod.2022.0024","DOIUrl":null,"url":null,"abstract":"In the September 1913 issue of the London-based journal Poetry and Drama, Harold Monro made the astonishing declaration that not only would the issue be devoted to the work of the Italian futurists, but also that the members of the periodical “claim ourselves, also, to be futurists.” The announcement was followed by Monro’s assertion that “long ago, before we had heard of the Italian Movement, we conceived the desire to ‘serve, worship, and obey the beautiful Future,’” and a short, enumerated list of aims:","PeriodicalId":18699,"journal":{"name":"Modernism/modernity","volume":"29 1","pages":"631 - 651"},"PeriodicalIF":0.3000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"The Beautiful Future\\\": Harold Monro, F. T. Marinetti, and Early Modernist Poetry in England\",\"authors\":\"R. Jakeman\",\"doi\":\"10.1353/mod.2022.0024\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the September 1913 issue of the London-based journal Poetry and Drama, Harold Monro made the astonishing declaration that not only would the issue be devoted to the work of the Italian futurists, but also that the members of the periodical “claim ourselves, also, to be futurists.” The announcement was followed by Monro’s assertion that “long ago, before we had heard of the Italian Movement, we conceived the desire to ‘serve, worship, and obey the beautiful Future,’” and a short, enumerated list of aims:\",\"PeriodicalId\":18699,\"journal\":{\"name\":\"Modernism/modernity\",\"volume\":\"29 1\",\"pages\":\"631 - 651\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Modernism/modernity\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/mod.2022.0024\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Modernism/modernity","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/mod.2022.0024","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
"The Beautiful Future": Harold Monro, F. T. Marinetti, and Early Modernist Poetry in England
In the September 1913 issue of the London-based journal Poetry and Drama, Harold Monro made the astonishing declaration that not only would the issue be devoted to the work of the Italian futurists, but also that the members of the periodical “claim ourselves, also, to be futurists.” The announcement was followed by Monro’s assertion that “long ago, before we had heard of the Italian Movement, we conceived the desire to ‘serve, worship, and obey the beautiful Future,’” and a short, enumerated list of aims:
期刊介绍:
Concentrating on the period extending roughly from 1860 to the present, Modernism/Modernity focuses on the methodological, archival, and theoretical exigencies particular to modernist studies. It encourages an interdisciplinary approach linking music, architecture, the visual arts, literature, and social and intellectual history. The journal"s broad scope fosters dialogue between social scientists and humanists about the history of modernism and its relations tomodernization. Each issue features a section of thematic essays as well as book reviews and a list of books received. Modernism/Modernity is now the official journal of the Modernist Studies Association.