{"title":"战争损失:GDAŃSK博物馆的三卷本出版物","authors":"A. R. Chodyński","doi":"10.5604/01.3001.0014.9355","DOIUrl":null,"url":null,"abstract":"Released in three separate volumes, the\npublication continues the Polish museology series published\nfor several years now and related to the losses incurred as\na result of WW II within the borders of today’s Republic of\nPoland. The Preface to Volume I on the war losses of the Town\nHall of the Main City of Gdańsk by the Director of the Museum\nin Gdańsk Waldemar Ossowski, contains reflections essential\nfor the discussed issue.\nThe three-volume series opens with the War Losses of the\nTown Hall of the Main City of Gdańsk (Vol. I). Briefly, the most\nessential facts have been highlighted in the story of its raising,\nand the functions of the major Town Hall interiors, both sumptuous\nand serving as offices, have been described: the Grand\nHallway, the Grand Room called Red or Summer Room, the\nSmall Room of the Council called Winter Room, the Grand\nRoom of the City Council, the Treasury, and the Deposit Room.\nIn the final months of WW II, Gdańsk lost about 80% of its most\nprecious historic substance within the Main City. As early as in\nApril 1945, the search for and the recovery of the dispersed\ncultural heritage began.\nWar Losses of the Artus Manor and the Gdańsk Hallway in\nGdańsk (Vol. 2) begins with a sepia photograph from 1879. As\nof October 1943 to January 1945, the following took place:\ndismantling together with signing and numbering of the objects,\npacking into wooden chests, and evacuation to several\nlocalities outside Gdańsk. It has already been ascertained\nthat as early as in mid-June 1942, some dozen of the most\nprecious historic monuments were evacuated from the Artus\nManor, of which several items have not been recovered: late-\n-mediaeval paintings (Boat of the Church, Siege of Marienburg,\nOur Lady with Child, and Christ, Salvator Mundi), several elements\nfrom the four sets of tournament armours from the section\nof the Brotherhood of St Reinold, the sculpture Saturn\nwith a Child, the sculpture group Diana’s Bath and Actaeon’s\nMetamorphosis, as well as some dozen elements of the décor\nof the Grand Hall. All these historic pieces were transferred to\nthe village of Orle (Germ. Wordel) on the Sobieszewo Island\non 16 June 1942. Only fragments of tournament armours have\nbeen recovered: they were found at various locations under the\ncircumstances hard to clarify many years later.\nThe most extensive war losses have been presented for\nthe Uphagen House (Vol. 3). The majority of the gathered art\nworks, the interior equipment and usable objects essential in\nthe burgher’s tenement house transformed into a museum in\nthe early 20th century have not been found, thus they have not\nreturned to their original location.\n\n","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":"62 1","pages":"93-99"},"PeriodicalIF":0.0000,"publicationDate":"2021-06-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"WAR LOSSES: A THREE-VOLUME PUBLICATION\\nOF THE MUSEUM OF GDAŃSK\",\"authors\":\"A. R. Chodyński\",\"doi\":\"10.5604/01.3001.0014.9355\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Released in three separate volumes, the\\npublication continues the Polish museology series published\\nfor several years now and related to the losses incurred as\\na result of WW II within the borders of today’s Republic of\\nPoland. The Preface to Volume I on the war losses of the Town\\nHall of the Main City of Gdańsk by the Director of the Museum\\nin Gdańsk Waldemar Ossowski, contains reflections essential\\nfor the discussed issue.\\nThe three-volume series opens with the War Losses of the\\nTown Hall of the Main City of Gdańsk (Vol. I). Briefly, the most\\nessential facts have been highlighted in the story of its raising,\\nand the functions of the major Town Hall interiors, both sumptuous\\nand serving as offices, have been described: the Grand\\nHallway, the Grand Room called Red or Summer Room, the\\nSmall Room of the Council called Winter Room, the Grand\\nRoom of the City Council, the Treasury, and the Deposit Room.\\nIn the final months of WW II, Gdańsk lost about 80% of its most\\nprecious historic substance within the Main City. As early as in\\nApril 1945, the search for and the recovery of the dispersed\\ncultural heritage began.\\nWar Losses of the Artus Manor and the Gdańsk Hallway in\\nGdańsk (Vol. 2) begins with a sepia photograph from 1879. As\\nof October 1943 to January 1945, the following took place:\\ndismantling together with signing and numbering of the objects,\\npacking into wooden chests, and evacuation to several\\nlocalities outside Gdańsk. It has already been ascertained\\nthat as early as in mid-June 1942, some dozen of the most\\nprecious historic monuments were evacuated from the Artus\\nManor, of which several items have not been recovered: late-\\n-mediaeval paintings (Boat of the Church, Siege of Marienburg,\\nOur Lady with Child, and Christ, Salvator Mundi), several elements\\nfrom the four sets of tournament armours from the section\\nof the Brotherhood of St Reinold, the sculpture Saturn\\nwith a Child, the sculpture group Diana’s Bath and Actaeon’s\\nMetamorphosis, as well as some dozen elements of the décor\\nof the Grand Hall. All these historic pieces were transferred to\\nthe village of Orle (Germ. Wordel) on the Sobieszewo Island\\non 16 June 1942. Only fragments of tournament armours have\\nbeen recovered: they were found at various locations under the\\ncircumstances hard to clarify many years later.\\nThe most extensive war losses have been presented for\\nthe Uphagen House (Vol. 3). The majority of the gathered art\\nworks, the interior equipment and usable objects essential in\\nthe burgher’s tenement house transformed into a museum in\\nthe early 20th century have not been found, thus they have not\\nreturned to their original location.\\n\\n\",\"PeriodicalId\":36577,\"journal\":{\"name\":\"Muzealnictwo\",\"volume\":\"62 1\",\"pages\":\"93-99\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-06-16\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Muzealnictwo\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5604/01.3001.0014.9355\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Muzealnictwo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5604/01.3001.0014.9355","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
该出版物分三卷发行,延续了几年来出版的波兰博物馆学系列,涉及二战在今天的波兰共和国境内造成的损失。格但斯克博物馆馆长瓦尔德马尔·奥索夫斯基为第一卷撰写的关于格但斯克主城市政厅战争损失的序言,包含了对所讨论问题的基本思考。三卷本系列以《格但斯克主城市政厅的战争损失》(第一卷)开篇。简单地说,最重要的事实已经在它的建造过程中得到了强调,市政厅内部的主要功能,无论是豪华的还是用作办公室的,都得到了描述:大厅、称为红色或夏季房间的大房间、称为冬季房间的议会小房间、市议会大房间、财政部,在第二次世界大战的最后几个月,格但斯克失去了大约80%的主要城市内最珍贵的历史物质。早在1945年4月,就开始了对分散文化遗产的寻找和恢复。《阿图斯庄园和格但斯克大厅的战争损失》(第二卷)以1879年的一张棕褐色照片开始。从1943年10月到1945年1月,发生了以下事件:拆除并签署和编号物品,装进木箱,疏散到格但斯克以外的几个地区。早在1942年6月中旬,阿图斯庄园就有十几座最珍贵的历史遗迹被疏散,其中有几件物品尚未找到:中世纪晚期的绘画作品(《教堂之舟》、《马里恩堡围城战》、《带孩子的圣母》和《基督,救世主蒙迪》),圣雷诺德兄弟会(Brotherhood of St Reinold)部分的四套锦标赛盔甲中的几个元素,雕塑《与孩子同行》(Saturnwith a Child),雕塑团体《戴安娜的浴缸》(Diana‘s Bath)和《变形》(Actaeon’s Metamorphosis),以及大礼堂装饰的十几个元素。所有这些历史文物于1942年6月16日被转移到索比泽沃岛上的奥尔村(Germ.Wordel)。只发现了锦标赛盔甲的碎片:它们是在多年后难以澄清的环境下的不同地点发现的。Uphagen House(第3卷)展示了最广泛的战争损失。在20世纪初被改建为博物馆的堡式公寓中,大多数收集的艺术品、内部设备和可用物品都没有找到,因此它们没有回到原来的位置。
WAR LOSSES: A THREE-VOLUME PUBLICATION
OF THE MUSEUM OF GDAŃSK
Released in three separate volumes, the
publication continues the Polish museology series published
for several years now and related to the losses incurred as
a result of WW II within the borders of today’s Republic of
Poland. The Preface to Volume I on the war losses of the Town
Hall of the Main City of Gdańsk by the Director of the Museum
in Gdańsk Waldemar Ossowski, contains reflections essential
for the discussed issue.
The three-volume series opens with the War Losses of the
Town Hall of the Main City of Gdańsk (Vol. I). Briefly, the most
essential facts have been highlighted in the story of its raising,
and the functions of the major Town Hall interiors, both sumptuous
and serving as offices, have been described: the Grand
Hallway, the Grand Room called Red or Summer Room, the
Small Room of the Council called Winter Room, the Grand
Room of the City Council, the Treasury, and the Deposit Room.
In the final months of WW II, Gdańsk lost about 80% of its most
precious historic substance within the Main City. As early as in
April 1945, the search for and the recovery of the dispersed
cultural heritage began.
War Losses of the Artus Manor and the Gdańsk Hallway in
Gdańsk (Vol. 2) begins with a sepia photograph from 1879. As
of October 1943 to January 1945, the following took place:
dismantling together with signing and numbering of the objects,
packing into wooden chests, and evacuation to several
localities outside Gdańsk. It has already been ascertained
that as early as in mid-June 1942, some dozen of the most
precious historic monuments were evacuated from the Artus
Manor, of which several items have not been recovered: late-
-mediaeval paintings (Boat of the Church, Siege of Marienburg,
Our Lady with Child, and Christ, Salvator Mundi), several elements
from the four sets of tournament armours from the section
of the Brotherhood of St Reinold, the sculpture Saturn
with a Child, the sculpture group Diana’s Bath and Actaeon’s
Metamorphosis, as well as some dozen elements of the décor
of the Grand Hall. All these historic pieces were transferred to
the village of Orle (Germ. Wordel) on the Sobieszewo Island
on 16 June 1942. Only fragments of tournament armours have
been recovered: they were found at various locations under the
circumstances hard to clarify many years later.
The most extensive war losses have been presented for
the Uphagen House (Vol. 3). The majority of the gathered art
works, the interior equipment and usable objects essential in
the burgher’s tenement house transformed into a museum in
the early 20th century have not been found, thus they have not
returned to their original location.