{"title":"我被告知的是:作为南非女权主义抗议剧院的逐字逐句的戏剧","authors":"Helena Baard","doi":"10.1080/10137548.2022.2063938","DOIUrl":null,"url":null,"abstract":"Verbatim-physical theatre presents the possibility for women’s stories, not only to be told, but to be heard, interacted and engaged with. This article explores the combination of physical- and verbatim theatre for feminist protest theatre in South Africa. It argues that verbatim-physical theatre as feminist protest theatre presents a mode of storytelling that is challenging and oppositional through embodied and dynamic performances. It further makes the case that South African theatre is built on a long tradition of story-telling, is imbued with inherent physicality and has always been a strong means for political consciousness-raising and education. It is this nature of South African theatre that makes the combination of verbatim- and physical theatre so effective for feminist protest theatre. The article also analyses the creation and staging of What I was Told, a verbatim-physical theatre production telling the stories of women, the stories told to us and the stories that still need to be told.","PeriodicalId":42236,"journal":{"name":"South African Theatre Journal","volume":"34 1","pages":"178 - 193"},"PeriodicalIF":0.2000,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"What I was Told: verbatim-physical theatre as feminist protest theatre in South Africa\",\"authors\":\"Helena Baard\",\"doi\":\"10.1080/10137548.2022.2063938\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Verbatim-physical theatre presents the possibility for women’s stories, not only to be told, but to be heard, interacted and engaged with. This article explores the combination of physical- and verbatim theatre for feminist protest theatre in South Africa. It argues that verbatim-physical theatre as feminist protest theatre presents a mode of storytelling that is challenging and oppositional through embodied and dynamic performances. It further makes the case that South African theatre is built on a long tradition of story-telling, is imbued with inherent physicality and has always been a strong means for political consciousness-raising and education. It is this nature of South African theatre that makes the combination of verbatim- and physical theatre so effective for feminist protest theatre. The article also analyses the creation and staging of What I was Told, a verbatim-physical theatre production telling the stories of women, the stories told to us and the stories that still need to be told.\",\"PeriodicalId\":42236,\"journal\":{\"name\":\"South African Theatre Journal\",\"volume\":\"34 1\",\"pages\":\"178 - 193\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-09-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"South African Theatre Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10137548.2022.2063938\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"South African Theatre Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10137548.2022.2063938","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
What I was Told: verbatim-physical theatre as feminist protest theatre in South Africa
Verbatim-physical theatre presents the possibility for women’s stories, not only to be told, but to be heard, interacted and engaged with. This article explores the combination of physical- and verbatim theatre for feminist protest theatre in South Africa. It argues that verbatim-physical theatre as feminist protest theatre presents a mode of storytelling that is challenging and oppositional through embodied and dynamic performances. It further makes the case that South African theatre is built on a long tradition of story-telling, is imbued with inherent physicality and has always been a strong means for political consciousness-raising and education. It is this nature of South African theatre that makes the combination of verbatim- and physical theatre so effective for feminist protest theatre. The article also analyses the creation and staging of What I was Told, a verbatim-physical theatre production telling the stories of women, the stories told to us and the stories that still need to be told.