我被告知的是:作为南非女权主义抗议剧院的逐字逐句的戏剧

IF 0.2 0 THEATER South African Theatre Journal Pub Date : 2021-09-02 DOI:10.1080/10137548.2022.2063938
Helena Baard
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引用次数: 0

摘要

逐字逐句的实体戏剧为女性故事提供了可能性,不仅可以被讲述,还可以被倾听、互动和参与。本文探讨了南非女权主义抗议剧场的实体剧场和逐字剧场的结合。它认为,逐字逐句的实体戏剧作为女权主义抗议戏剧,通过具体化和动态化的表演,呈现了一种具有挑战性和对立性的讲故事模式。它进一步证明,南非戏剧建立在讲故事的悠久传统之上,充满了固有的物质性,一直是提高政治意识和教育的有力手段。正是南非戏剧的这种性质使逐字逐句和实体戏剧的结合对女权主义抗议戏剧如此有效。文章还分析了《我被告知》的创作和上演,这是一部逐字逐句的实体戏剧作品,讲述了女性的故事、讲述给我们的故事以及仍然需要讲述的故事。
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What I was Told: verbatim-physical theatre as feminist protest theatre in South Africa
Verbatim-physical theatre presents the possibility for women’s stories, not only to be told, but to be heard, interacted and engaged with. This article explores the combination of physical- and verbatim theatre for feminist protest theatre in South Africa. It argues that verbatim-physical theatre as feminist protest theatre presents a mode of storytelling that is challenging and oppositional through embodied and dynamic performances. It further makes the case that South African theatre is built on a long tradition of story-telling, is imbued with inherent physicality and has always been a strong means for political consciousness-raising and education. It is this nature of South African theatre that makes the combination of verbatim- and physical theatre so effective for feminist protest theatre. The article also analyses the creation and staging of What I was Told, a verbatim-physical theatre production telling the stories of women, the stories told to us and the stories that still need to be told.
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