晚期巴洛克手稿“罪人向主耶稣的恳求”。末世论反思

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Colloquia Humanistica Pub Date : 2018-12-18 DOI:10.11649/CH.2018.012

Joanna Panasiuk

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引用次数: 0

摘要

后期巴洛克手稿《罪人对主耶稣的补充》。末世论的反思本文的观察范围将关注补注的主耶稣之歌（股份有限公司“耶稣，我的慈悲…”），属于所谓的流行区。这段文字是在1744年的手工收藏中发现的，属于克拉科夫的Discalced Carmelite修女。在这首歌中，我们可以认定诺亚是中世纪对蔑视世界思想的末世反思的结果。《向主耶稣忏悔的罪人后期巴洛克手稿》。末世论反思在这里观察的范围将由所谓的决定。流行的歌曲Suplik the sinor to the Lord Jesus（股份有限公司“Jesus my my-commy…”）。该文本被发现于1744年的手稿收藏中，属于克拉科夫赤脚焦糖图书馆。在这首歌中——作为末世论反思的结果，出现了源自中世纪的蔑视世界的思想。

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Late Baroque Manuscript "Supplicant of the Sinner to the Lord Jesus". Eschatological Reflections

Late Baroque Manuscript Supplicant of the Sinner to the Lord Jesus. Eschatological ReflectionsThe scope of observations in this article will be concerned by Supplicant’s Song of the Lord Jesus(inc. "Jesus, my merciful ..."), belonging to the so-called the popular area. This text was found in a handwritten collection dated to 1744, belonging to the Discalced Carmelite Nuns in Krakow. In this song, we can identify - as a result of eschatological reflections - the idea of contemptus mundi (contempt of the world), originating from the middle ages. Późnobarokowy rękopis Supliki grzesznika do Pana Jezusa. Eschatologiczne refleksjeZakres obserwacji wyznaczy tu należąca do nurtu tzw. popularnego pieśń Suplika grzesznika do Pana Jezusa (inc. „Jezu mój litościwy…”). Tekst odnaleziono w rękopiśmiennym zbiorze datowanym na 1744 rok, należącym do biblioteki karmelitanek bosych w Krakowie. W pieśni – na skutek eschatologicznych refleksji - uobecnia się idea contemptus mundi (pogardy świata), wywodząca się z wieków średnich.

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来源期刊

Colloquia Humanistica HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.10

自引率

0.00%

发文量

审稿时长

24 weeks

期刊介绍： The journal “Colloquia Humanistica” was founded as an interdisciplinary annual forum for discussion between researchers, who represent the different fields of the humanities. Each issue provides a main theme, presented from diverse perspectives. Thanks to this we are trying to get the most complete picture of the subject matter because we are aware of the value of cooperation between representatives of the various disciplines of humanity. Therefore, we devote a lot of attention to the consistency of the texts entrusting the editorial duties to scholars of high standing. Every main theme is inspired by the cultural studies with a special attention to issues previously marginalized or dominated by any ideological influence. In focus are topics most often overlooked by official cultural and national narratives, uncomfortable for them, or treated instrumentally. So far, we suggested topics such as the question of continuity and discontinuity in the culture (first issue), the so called minor languages, minor literatures, minor cultures (second issue), multiple biographies (third issue). We invite cooperation and contributions from scholars representing cultural studies, linguists, historians, ethnologists, philosophers, and others, as it is not a complete list of disciplines represented in the journal.