作为战区的校园:当代英语小说、独立后的内战和非洲大学

IF 0.9 2区 社会学 Q2 CULTURAL STUDIES Journal of African Cultural Studies Pub Date : 2023-01-02 DOI:10.1080/13696815.2022.2158789
Anne W. Gulick
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引用次数: 0

摘要

摘要本文探讨了一组当代英语非洲小说如何批判性地探讨大学与战争之间的关系。Dinaw Mengestu的2014年《我们的名字》、Chimamanda Ngozi Adichie的2006年《半个黄色的太阳》和Aminatta Forna的2010年《爱的记忆》都是战争小说,记录了20世纪60年代末后殖民国家在军事政变和独裁统治面前的崩溃;在这三篇文章中,大学都以一种隐秘的意义作为崩溃的制度背景。在这些小说中,大学校园变成了战区,造成了物质上的破坏以及个人和集体的创伤。它还揭露了后殖民时代战争、教育和知识生产之间深刻而长期的纠葛,并引发了对20世纪60年代矛盾遗产的细致入微的反思。除了这些小说对独立后冲突的冷静和悲观的评估之外,还有一种想象战争如何也能成为知识的来源,成为建立和改善独立时代从未完全实现的反殖民愿望的手段。
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The Campus as War Zone: Contemporary Anglophone Fiction, Post-Independence Civil War, and the African University
ABSTRACT This article explores how a set of contemporary Anglophone African novels critically engage the relationship between universities and war. Dinaw Mengestu’s 2014 All Our Names, Chimamanda Ngozi Adichie’s 2006 Half of a Yellow Sun, and Aminatta Forna’s 2010 The Memory of Love are war novels that chronicle the collapse of the postcolonial state in the face of military coups and authoritarian rule in the late 1960s; in all three texts, the university takes on a stealthy significance as the institutional backdrop for that collapse. The transformation of university campuses into war zones in these novels occasions material devastation and both individual and collective trauma. It also exposes deep and longstanding entanglements between war, education, and knowledge production in the postcolony, and invites nuanced reflection on the ambivalent legacy of the 1960s for the present. Beyond these novels’ sober and bleak assessments of post-independence conflict lies an invitation to imagine how war might also serve as a source of knowledge, a means of building and improving upon the anticolonial aspirations that were never fully achieved in the era of independence.
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来源期刊
CiteScore
1.70
自引率
10.00%
发文量
13
期刊介绍: The Journal of African Cultural Studies publishes leading scholarship on African culture from inside and outside Africa, with a special commitment to Africa-based authors and to African languages. Our editorial policy encourages an interdisciplinary approach, involving humanities, including environmental humanities. The journal focuses on dimensions of African culture, performance arts, visual arts, music, cinema, the role of the media, the relationship between culture and power, as well as issues within such fields as popular culture in Africa, sociolinguistic topics of cultural interest, and culture and gender. We welcome in particular articles that show evidence of understanding life on the ground, and that demonstrate local knowledge and linguistic competence. We do not publish articles that offer mostly textual analyses of cultural products like novels and films, nor articles that are mostly historical or those based primarily on secondary (such as digital and library) sources. The journal has evolved from the journal African Languages and Cultures, founded in 1988 in the Department of the Languages and Cultures of Africa at the School of Oriental and African Studies, London. From 2019, it is published in association with the International African Institute, London. Journal of African Cultural Studies publishes original research articles. The journal also publishes an occasional Contemporary Conversations section, in which authors respond to current issues. The section has included reviews, interviews and invited response or position papers. We welcome proposals for future Contemporary Conversations themes.
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