网络侏儒:论计算计划中的种族和劳动

IF 0.3 4区 文学 Q3 HISTORY & PHILOSOPHY OF SCIENCE Configurations Pub Date : 2022-09-01 DOI:10.1353/con.2022.0028
Ranjodh Singh Dhaliwal
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引用次数: 3

摘要

摘要:通过梳理过去150年来计算机技术和种族资本主义的历史,本文确定了一个正在发挥作用的跨历史形象。根据案例研究,在技术和文化话语中,机械土耳其人(19世纪的一种下棋自动机)和麦克斯韦的恶魔(1867年首次构思的一种科学思想实验)的隐喻性生活和余生,它追溯了一个赛博人的形象,一个在机械罩下工作的微小科学虚构主题,它使准控制论话语生动起来,并使计算工作变得显而易见。在这样做的过程中,它概述了原子化、自动化和外包的纠缠起源,并展示了种族化和分类的社会关系是如何在计算机中小型化的,从而导致对后人类劳动的同时估价和抹杀。
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The Cyber-Homunculus: On Race and Labor in Plans for Computation
ABSTRACT:By culling through a history of computing technologies and racial capitalism from the last 150 years, this paper identifies a trans-historical figuration at work. Following, as case studies, the metaphorical lives and afterlives of the Mechanical Turk—a chess-playing automaton from the nineteenth century—and Maxwell’s Demon—a scientific thought experiment first conceived in 1867— in technical and cultural discourses, it traces the figure of a cyberhomunculus, a tiny science-fictional subject laboring underneath the machinic hood, that animates para-cybernetic discourse and makes computational work palpable. In doing so, it outlines the entangled origins of atomization, automation, and outsourcing, and demonstrates how racialized and classed social relations get miniaturized into the computer, resulting in the simultaneous valuation and erasure of posthuman labor.
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来源期刊
Configurations
Configurations Arts and Humanities-Literature and Literary Theory
CiteScore
0.50
自引率
0.00%
发文量
33
期刊介绍: Configurations explores the relations of literature and the arts to the sciences and technology. Founded in 1993, the journal continues to set the stage for transdisciplinary research concerning the interplay between science, technology, and the arts. Configurations is the official publication of the Society for Literature, Science, and the Arts (SLSA).
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