塞缪尔·巴伯合唱音乐:流派和风格方面

Valeriya Zharkova, Tymur Ivannikov, T. Filatova, Oleksandr Zharkov, O. Antonova
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引用次数: 0

摘要

本文以20世纪美国作曲家塞缪尔·巴伯的合唱音乐为研究对象,从流派和风格的多样性两个方面对其进行研究,代表了我国转向合唱艺术的历史阶段。这些作品由人声组成,分为无伴奏合唱和器乐伴奏合唱。管弦乐乐谱是通过诗歌文本和音乐语调的相互作用来分析的。发现了宗教和世俗诗歌的比喻和语义阴影,揭示了音乐与古代流派之间的关系:格里高利单体诗、反方体诗、平淡的圣歌、汽车曲、牧歌、复活节赞美诗。从不同性质的文体现象的历史成因和综合角度来研究音乐的实质性方面。研究了中世纪、文艺复兴、巴洛克、浪漫主义和现代音乐词汇等元素对合唱创作艺术手段整体体系的影响。关键词:合唱音乐,塞缪尔·巴伯,流派传统,风格方面,圣歌,歌曲,牧歌。“
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Choral Music by Samuel Barber: Genre and Style Aspects
"The article is devoted to the research of choral music by Samuel Barber who was a 20th-century American composer. The research is carried out in terms of its genre and style diversity. It represents the historical stages of turning to choral art. The compositions are differentiated by voice composition into a cappella choirs and choirs with instrumental accompaniment. The orchestral scores are analyzed through the interaction of the poetic text and musical intonation taken into consideration. The figurative and semantic shades of religious and secular origin poems are discovered, the relationship between the music and ancient genres is revealed: Gregorian monodies, antiphons, plain chants, motets, madrigals, Easter hymns. The substantive music aspects are researched as projected on the historical genesis and synthesis of stylistic phenomena of different nature. It is researched how much the elements of medieval, renaissance, baroque, romantic and modern musical vocabulary influence the integral system of choral composition artistic means. Keywords: choral music, Samuel Barber, genre traditions, style aspects, chants, motets, madrigals. "
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