酷儿遗骨:罗排忧解难的哀悼与传承

IF 0.3 4区 文学 0 ASIAN STUDIES Modern Chinese Literature and Culture Pub Date : 2022-12-01 DOI:10.3366/mclc.2022.0019
Keyun Tian
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引用次数: 0

摘要

这篇文章检视了罗亦琴2001年的小说《消愁》,这是一部有争议的致敬已故台湾酷儿作家邱妙金的小说。1995年,她自杀后,她的作品以非规范欲望而闻名,吸引了一群狂热的追随者,但她死后的名声却自相矛盾地掩盖了她对性别和性的细致入微的看法,因为她对固定类别的怀疑可能与当地LGBT权利运动中对身份和认可的追求不一致。罗的《放逐悲伤》在邱死后六年出版,它大胆地挑战了邱作品中以身份为基础的方法。与秋的作品中无序的身体的隐喻相呼应,《放逐悲伤》运用了身体碎片的比喻,来质疑性别身份是如何在她死后的接受中变得本质化和固定的。在阅读罗的颂词和邱的作品时,本文借鉴了哀悼、幽灵和生命的理论,探讨了《放逐悲伤》如何在身份政治的限制之外为邱的来世开辟了新的可能性。
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Queer Remains: Mourning and Inheritance in Lo Yi-chin’s Banishing Sorrow
This article examines Lo Yi-chin’s 2001 novel Banishing Sorrow, a controversial tribute to the late Taiwanese queer author Qiu Miaojin. Renowned for her writings on nonnormative desires, Qiu attracted a cult following in the wake of her suicide in 1995, but her posthumous fame has paradoxically eclipsed her nuanced vision of gender and sexuality since her skepticism toward fixed categories is potentially at odds with the quest for identity and recognition in the local LGBT rights movement. Published six years after Qiu’s death, Lo’s Banishing Sorrow represents a bold effort to challenge the identity-based approach to Qiu’s work. Echoing the metaphor of the disorderly body in Qiu’s writings, Banishing Sorrow deploys the trope of corporeal fragmentation to problematize how sexual identities have become essentialized and fixed in her postmortem reception. Reading Lo’s tribute alongside Qiu’s oeuvre, this article draws on theories of mourning, spectrality, and animacy to explore how Banishing Sorrow opens up new possibilities for Qiu’s afterlife beyond the confines of identity politics.
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来源期刊
CiteScore
0.40
自引率
0.00%
发文量
12
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