{"title":"安妮·德·格拉维尔翻译阿兰·夏蒂埃:确定B.N.页边空白处的手稿来源","authors":"J. E. McRae","doi":"10.7203/mclm.7.17010","DOIUrl":null,"url":null,"abstract":"An examination of the single manuscript of Anne de Graville’s Rondeau , a ‘translation’ of Alain Chartier’s La Belle dame sans mercy , as well as consideration of 1424 and Carl Wahlund’s 1897 critical edition reveals that Anne used several manuscripts and early printed editions in establishing the version of Chartier’s poem written in the margins of BN fr 2253. The base exemplar was most likely St. Petersburg, National Library of Russia MS fr. f° v. XIV. 0007, with variants found in BN fr 20026, BN fr 924, and the early printed editions.","PeriodicalId":40390,"journal":{"name":"Magnificat Cultura i Literatura Medievals","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2020-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Anne de Graville Translates Alain Chartier: Identifying the Manuscript Source in the Margins of B.N. fr. 2235\",\"authors\":\"J. E. McRae\",\"doi\":\"10.7203/mclm.7.17010\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"An examination of the single manuscript of Anne de Graville’s Rondeau , a ‘translation’ of Alain Chartier’s La Belle dame sans mercy , as well as consideration of 1424 and Carl Wahlund’s 1897 critical edition reveals that Anne used several manuscripts and early printed editions in establishing the version of Chartier’s poem written in the margins of BN fr 2253. The base exemplar was most likely St. Petersburg, National Library of Russia MS fr. f° v. XIV. 0007, with variants found in BN fr 20026, BN fr 924, and the early printed editions.\",\"PeriodicalId\":40390,\"journal\":{\"name\":\"Magnificat Cultura i Literatura Medievals\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-12-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Magnificat Cultura i Literatura Medievals\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7203/mclm.7.17010\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MEDIEVAL & RENAISSANCE STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Magnificat Cultura i Literatura Medievals","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7203/mclm.7.17010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
Anne de Graville Translates Alain Chartier: Identifying the Manuscript Source in the Margins of B.N. fr. 2235
An examination of the single manuscript of Anne de Graville’s Rondeau , a ‘translation’ of Alain Chartier’s La Belle dame sans mercy , as well as consideration of 1424 and Carl Wahlund’s 1897 critical edition reveals that Anne used several manuscripts and early printed editions in establishing the version of Chartier’s poem written in the margins of BN fr 2253. The base exemplar was most likely St. Petersburg, National Library of Russia MS fr. f° v. XIV. 0007, with variants found in BN fr 20026, BN fr 924, and the early printed editions.
期刊介绍:
Its coverage is threefold: (1) Cultural subjects for the Romance area, in the medieval and post-medieval era (up to 1600). (2) Literature, linguistics and cultural issues in general, concerning the Crown of Aragon and Occitania (and other related areas such as Naples and Navarre). (3) Digital humanities or otherwise methodological studies, provided that they may be of service to the medievalist. This annual publication has been created with the intention of serving as a platform for works that exceed the conventional length of journal articles. Therefore Magnificat CLM will preferably publish long articles, but articles of medium length are not excluded. Magnificat CLM is aimed at an audience of researchers and specialists in medieval studies, especially Romance philology, as well as of specialists in digital humanities. Magnificat CLM consists of a single section of articles, occasionally including a monographic dossier on particular subjects. All articles are indexed. Magnificat CLM published its first volume in 2014.