请向前退!论icom“布拉格博物馆定义”工作中的参与政策

Q3 Arts and Humanities Muzealnictwo Pub Date : 2022-09-29 DOI:10.5604/01.3001.0016.0224
M. Lorenc
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引用次数: 0

摘要

国际博协决定修订博物馆定义(2007年生效)的原因是需要调整现有的法定措辞,以应对博物馆在21世纪面临的挑战。2019年在京都举行的特别大会上,世卫组织推迟了对新定义的投票,遭遇了领导危机。2020年底,为了改革管理,引入了一种新的定义工作方法。它的基础是寻求参与政策,即权力的重新分配。有趣的是,COVID-19大流行迫使人们采用远程通信,为这一方法提供了便利。与通过的时间表一致,广泛和多阶段的过程在随后的2022年8月24日在布拉格举行的特别大会上对新博物馆定义的通过/否决进行投票时达到高潮。在参与了178个合格委员会中的126个委员会的磋商后,“布拉格博物馆定义”的措辞是在2007年的法定定义和“京都定义”之间的妥协。在基本问题上,也就是回答这个问题:“什么是博物馆?”,它实际上保留了早先的规定:博物馆是一个非营利性的永久性机构。这就产生了关于2020-2022年基于新参与范式进行的工作的目的性的问题,本文试图回答这个问题。
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WITHDRAW FORWARD, PLEASE! ON PARTICIPATION POLICY IN ICOM’S WORKS ON THE ‘PRAGUE MUSEUM DEFINITION’
ICOM’s decision to revise the museum definition valid as of 2007 was accounted for with the need to adjust the existing statutory phrasing to meet the challenges museums face in the 21st century. Having adjourned the vote on the new definition at the Extraordinary General Assembly in Kyoto in 2019, the organisation suffered a leadership crisis. In late 2020, in order to reform the management, a new methodology of working on the definition was introduced. Its foundation was to be sought in participatory policy, namely redistribution of authority. Interestingly, this approach was facilitated by the application of remote communication forced by the COVID-19 pandemic. In harmony with the adopted time schedule the extensive and multi-stage process was to climax with the vote on the adoption/ rejection of the new museum definition during the subsequent Extraordinary General Assembly in Prague on 24 August 2022. As a result of the participation in consultations of 126 out of the 178 eligible Committees, the ‘Prague museum definition’ was phrased as a compromise between the 2007 statutory definition valid until then and the ‘Kyoto definition’. On the essential issues, i.e., answering the question: ‘what is a museum?’, it actually retained the earlier regulation: a museum is a not-for-profit permanent institution. This yielded the question about the purposefulness of the works conducted in 2020–2022, based on the new participation paradigm, which the present paper attempts to answer.
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来源期刊
Muzealnictwo
Muzealnictwo Arts and Humanities-Museology
CiteScore
0.30
自引率
0.00%
发文量
24
审稿时长
8 weeks
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