音乐自我知觉对音乐教育及非音乐专业学生合奏参与的影响

Deanna Nicole Herb
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引用次数: 1

摘要

在这项研究中,我考察了音乐教育本科生和非音乐教育专业学生之间的关系,以及他们对音乐的自我感知,或者他们如何看待自己是音乐家。该研究的次要目的包括调查音乐自尊、性别、注意力、学年和持续艺术参与之间的关系。参与者(N=66)是来自美国东北部一所大型公立大学的一个乐队、一个合唱团和四个音乐教育班的音乐教育和非音乐教育本科生志愿者。参与者完成了施密特音乐能力自尊量表的缩短版,以及关于性别、合奏参与、专业和乐器的问题。结果表明,音乐教育专业和非音乐教育专业学生参加合奏的音乐自尊之间没有显著差异。音乐教育专业学生与高中同龄人的自我比较、一年内的自我比较以及未来计划的合奏参与存在显著差异。多年的合奏经验预示着施密特的音乐能力自尊量表得分会更高。
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Effects of Music Self-Perception on Music Education and Nonmusic Majors’ Ensemble Participation
In this study, I examined the relationship between undergraduate music education and nonmusic education majors and their music self-perception, or how they perceived themselves as musicians. A secondary purpose of the research included investigating the relationship between music self-esteem, gender, concentration, year in school, and continued arts participation. Participants (N = 66) were music education and nonmusic education undergraduate volunteers from one band, one chorus, and four music education classes at a large, public university in the Northeastern United States. The participants completed a shortened version of Schmitt’s Self-Esteem of Musical Ability Scale, along with questions about gender, ensemble participation, major, and instrument. Results indicated no significant difference between music self-esteem in music education majors and nonmusic education majors who participated in college ensembles. There were significant differences in music education majors’ comparison of themselves to their high school peers, self-comparisons over 1 year, and planned future ensemble participation. More years of experience in ensembles predicted higher Schmitt’s Self-Esteem of Musical Ability Scale scores.
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