{"title":"平衡潮汐:美国的海洋实践Sāmoa作者:乔安娜·波夫莱特","authors":"Michelle Harangody","doi":"10.1353/cp.2022.0022","DOIUrl":null,"url":null,"abstract":"Such messaging is both necessarily encouraging and eminently useful for intellectuals employing decolonial methodologies—particularly those in settler-colonial contexts—and all those who seek a decolonized Hawai‘i. To recognize the weakness of white supremacy and its formations means to acknowledge the strength of all it attempted to oppress, including Indigenous ways of knowing, living, and relating to the land and each other. It means to see Kanaka ‘Ōiwi māhū (a third gender with culturally defined spiritual and social roles in Hawai‘i) Sammy Amalu’s milliondollar prank involving a false investment deal not as a failed business but as a window into an alternative future in which ‘āina (land) is not property but rather that which feeds (166–167). It means supporting Kanaka ‘Ōiwi farmers on Maui as they work to redirect waterways away from resorts to their farms, where they once flowed, in order to decrease Hawai‘i’s overreliance on imported food (190–193). Ultimately, as Saranillio demonstrates, recognizing alternative histories that reject the strength of white supremacy and capitalism makes room for our imagination to grow beyond the bounds of the unsustainable empire, allowing Indigenous knowledge and the land itself to guide our futures.","PeriodicalId":51783,"journal":{"name":"Contemporary Pacific","volume":"34 1","pages":"245 - 250"},"PeriodicalIF":0.3000,"publicationDate":"2022-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Balancing the Tides: Marine Practices in American Sāmoa by JoAnna Poblete (review)\",\"authors\":\"Michelle Harangody\",\"doi\":\"10.1353/cp.2022.0022\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Such messaging is both necessarily encouraging and eminently useful for intellectuals employing decolonial methodologies—particularly those in settler-colonial contexts—and all those who seek a decolonized Hawai‘i. To recognize the weakness of white supremacy and its formations means to acknowledge the strength of all it attempted to oppress, including Indigenous ways of knowing, living, and relating to the land and each other. It means to see Kanaka ‘Ōiwi māhū (a third gender with culturally defined spiritual and social roles in Hawai‘i) Sammy Amalu’s milliondollar prank involving a false investment deal not as a failed business but as a window into an alternative future in which ‘āina (land) is not property but rather that which feeds (166–167). It means supporting Kanaka ‘Ōiwi farmers on Maui as they work to redirect waterways away from resorts to their farms, where they once flowed, in order to decrease Hawai‘i’s overreliance on imported food (190–193). Ultimately, as Saranillio demonstrates, recognizing alternative histories that reject the strength of white supremacy and capitalism makes room for our imagination to grow beyond the bounds of the unsustainable empire, allowing Indigenous knowledge and the land itself to guide our futures.\",\"PeriodicalId\":51783,\"journal\":{\"name\":\"Contemporary Pacific\",\"volume\":\"34 1\",\"pages\":\"245 - 250\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-06-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Contemporary Pacific\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1353/cp.2022.0022\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"AREA STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Pacific","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1353/cp.2022.0022","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"AREA STUDIES","Score":null,"Total":0}
Balancing the Tides: Marine Practices in American Sāmoa by JoAnna Poblete (review)
Such messaging is both necessarily encouraging and eminently useful for intellectuals employing decolonial methodologies—particularly those in settler-colonial contexts—and all those who seek a decolonized Hawai‘i. To recognize the weakness of white supremacy and its formations means to acknowledge the strength of all it attempted to oppress, including Indigenous ways of knowing, living, and relating to the land and each other. It means to see Kanaka ‘Ōiwi māhū (a third gender with culturally defined spiritual and social roles in Hawai‘i) Sammy Amalu’s milliondollar prank involving a false investment deal not as a failed business but as a window into an alternative future in which ‘āina (land) is not property but rather that which feeds (166–167). It means supporting Kanaka ‘Ōiwi farmers on Maui as they work to redirect waterways away from resorts to their farms, where they once flowed, in order to decrease Hawai‘i’s overreliance on imported food (190–193). Ultimately, as Saranillio demonstrates, recognizing alternative histories that reject the strength of white supremacy and capitalism makes room for our imagination to grow beyond the bounds of the unsustainable empire, allowing Indigenous knowledge and the land itself to guide our futures.
期刊介绍:
With editorial offices at the Center for Pacific Islands Studies, The Contemporary Pacific covers a wide range of disciplines with the aim of providing comprehensive coverage of contemporary developments in the entire Pacific Islands region, including Melanesia, Micronesia, and Polynesia. It features refereed, readable articles that examine social, economic, political, ecological, and cultural topics, along with political reviews, book and media reviews, resource reviews, and a dialogue section with interviews and short essays. Each issue highlights the work of a Pacific Islander artist.