Joan Roís de Corella,La Iståria de Leànder y Hero:带入门研究的评论版

IF 0.2 0 MEDIEVAL & RENAISSANCE STUDIES Magnificat Cultura i Literatura Medievals Pub Date : 2018-12-08 DOI:10.7203/MCLM.5.12657
Annamaria Annicchiarico
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引用次数: 0

摘要

这一贡献是对Joan Roís de Corella(15世纪)为《编辑Barcino》出版的神话动物评论版的进一步部分预期,此前的一本也出现在《壮丽CLM》(2016年3月)中。它聚焦于科雷拉最成熟和最重要的动物群之一,以及最负盛名的见证之一,即英雄和莱安德神话在伊比利亚15世纪的存在,以及英雄在半岛上的接受。本文分为两部分。第一部分,绪论,概述了有关伊什托里亚的研究现状。接下来,分析了支持福拉话语建构的文学记忆,旨在展示它是如何实现镜像、投影、折射、互文参考和象征性暗示唤起的游戏的,这些游戏使雷斯和人物成为多种古典和中世纪模式的复兴。这样的复兴充满了新的可悲能量。我们的分析是基于某些主题词和特定的主题修辞矩阵,无论是lo-profano还是lo-divino,始终在“一起死去”和超越死亡的爱的理念中。它关注的是这部虚构的情感文本所采用的沟通策略(主题、隐喻和形象编织的交汇点,以特里斯坦式的、抒情的、风情的、ausiasmarkuiana、cancionoril和planctus virginis的激情主义意象为基础)转换记忆并将其重新使用为一项发明。论文的第二部分是正文的批评性部分。根据版本标准的预期,它包含了文本,以及关于宪法文本的脚注和关键装置。
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Joan Roís de Corella, La Istòria de Leànder y Hero: edizione critica con studio introduttivo
This contribution is a further partial anticipation of the critical edition of the mythological faules by Joan Roís de Corella(15th century) for Editorial Barcino, following a previous one also appeared in Magnificat CLM (3, 2016). It focuses onone of Corella's most mature and significant faules, as well as one of the most prestigious testimonies both of the presence of the myth of Hero and Leander in the Iberian 15th century, and of the peninsular reception of the Heroides. The paper has two parts. The first part, Introduction, summarizes the current situation of the studies related to the Istòria. Next, an analysis of the literary memory that supports the faula’s discursive construction is provided, aiming to demonstrate how it actualizes a game of mirroring, projections, refractions, intertextual references, and symbolic-allusive evocations that make res and characters the revival of a plurality of classical and medieval models. Such a revival becomes loaded of a new pathetic energy. Our analysis is based on certain thematic words and specific topical-rhetorical matrixes, reused either a lo profano or a lo divino, always within the idea of “dying together" and of love beyond death. It focuses on the communication strategies through which this ficció sentimental’s text (a point of convergence for thematic, metaphorical and figural weaving, anchored to the Tristanian, lyrical-amorous, ausiasmarquiana, cancioneril and Passionist imagery of planctus virginis) transforms memory and reuses it into an invention. The second part of the paper is the critical edition of the text. Anticipated by the Criteria of Edition, it contains the Text, with footnotes concerning the constitutio textus, and the Critical Apparatus.
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来源期刊
Magnificat Cultura i Literatura Medievals
Magnificat Cultura i Literatura Medievals MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.60
自引率
0.00%
发文量
0
期刊介绍: Its coverage is threefold: (1) Cultural subjects for the Romance area, in the medieval and post-medieval era (up to 1600). (2) Literature, linguistics and cultural issues in general, concerning the Crown of Aragon and Occitania (and other related areas such as Naples and Navarre). (3) Digital humanities or otherwise methodological studies, provided that they may be of service to the medievalist. This annual publication has been created with the intention of serving as a platform for works that exceed the conventional length of journal articles. Therefore Magnificat CLM will preferably publish long articles, but articles of medium length are not excluded. Magnificat CLM is aimed at an audience of researchers and specialists in medieval studies, especially Romance philology, as well as of specialists in digital humanities. Magnificat CLM consists of a single section of articles, occasionally including a monographic dossier on particular subjects. All articles are indexed. Magnificat CLM published its first volume in 2014.
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