埃塞俄比亚圣人“酷儿阅读”政治与发现殖民前酷儿非洲人

IF 0.9 2区 社会学 Q2 CULTURAL STUDIES Journal of African Cultural Studies Pub Date : 2021-10-04 DOI:10.1080/13696815.2021.1975265
Serawit B. Debele
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引用次数: 0

摘要

摘要本文旨在探讨通过我们的性欲发现非洲人意味着什么,以及这将如何影响西方对女性和酷儿的认识。我仔细阅读了温迪·贝尔彻对WälättäP̣e性生活的解读ṭ罗斯,17世纪埃塞俄比亚女圣人。虽然这篇文章借鉴了后殖民主义、非洲女权主义和酷儿学术,但它借鉴了赛迪娅·哈特曼的《两幕中的维纳斯》,提出了与文本不透明有关的推测性问题。我认为,贝尔彻对肉欲的解释使圣人成为一个歇斯底里的主体,并将在殖民前的非洲发现同性恋者的说法附加到圣人的生活中。我认为,这种解读将圣人融入了我们当代的性观念中,从而通过脱离历史和地理特征的阅读创造了一个现代主题。这篇文章还探讨了为了当今反对迫害的斗争而发现殖民前的非洲酷儿的善意。在这里,我无意贬低圣徒传记的翻译,也无意质疑阅读同性亲密关系的可能性。我感兴趣的是思考当下主义者对解释的关注。
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The Politics of “Queer Reading” an Ethiopian Saint and Discovering Precolonial Queer Africans
ABSTRACT This article asks what it means to discover Africans through our sexual desires, and how that might shape the way the West knows both women and queer people. I closely read Wendy Belcher’s interpretations of the sexual life of Wälättä P̣eṭros, a seventeenth-century Ethiopian female saint. While the article draws on postcolonial, African feminist and queer scholarship, it takes a cue from Saidiya Hartman’s “Venus in Two Acts” to raise speculative questions related to the opacity of the text. I argue that Belcher’s interpretation of carnal desire produces the saint as a hysterical subject, and attaches to the saint’s life the claim of discovering queer people in pre-colonial Africa. I argue that this interpretation assimilates the saint into our contemporary ideas of sexuality and thereby invents a modern subject through a reading that is divorced from historical and geographic specificities. The article also explores the benevolent intentions of discovering pre-colonial queer Africans for the cause of present-day struggles against persecution. It is not my intention here to discount the translation of the hagiography, nor is it to dispute the possibilities of reading same-sex intimacies. I am interested in thinking about the presentist preoccupations of the interpretation.
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来源期刊
CiteScore
1.70
自引率
10.00%
发文量
13
期刊介绍: The Journal of African Cultural Studies publishes leading scholarship on African culture from inside and outside Africa, with a special commitment to Africa-based authors and to African languages. Our editorial policy encourages an interdisciplinary approach, involving humanities, including environmental humanities. The journal focuses on dimensions of African culture, performance arts, visual arts, music, cinema, the role of the media, the relationship between culture and power, as well as issues within such fields as popular culture in Africa, sociolinguistic topics of cultural interest, and culture and gender. We welcome in particular articles that show evidence of understanding life on the ground, and that demonstrate local knowledge and linguistic competence. We do not publish articles that offer mostly textual analyses of cultural products like novels and films, nor articles that are mostly historical or those based primarily on secondary (such as digital and library) sources. The journal has evolved from the journal African Languages and Cultures, founded in 1988 in the Department of the Languages and Cultures of Africa at the School of Oriental and African Studies, London. From 2019, it is published in association with the International African Institute, London. Journal of African Cultural Studies publishes original research articles. The journal also publishes an occasional Contemporary Conversations section, in which authors respond to current issues. The section has included reviews, interviews and invited response or position papers. We welcome proposals for future Contemporary Conversations themes.
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