基希讷乌国立音乐学院特殊钢琴系教师在1950-1970年间的科学-方法活动

Q4 Arts and Humanities Arta Pub Date : 2021-12-01 DOI:10.52603/arta.2021.30-2.06
Irina Guzenco
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引用次数: 0

摘要

本文描述了基希讷乌国立音乐学院钢琴专业教师在20世纪50 - 70年代创作的方法论和科学作品。最常见的未发表文章类型是对同事音乐会的评论、报告、摘要、散文和音乐选集。教师最严肃的科学计划都与论文的体裁有关。20世纪60年代。专业钢琴系教师的科学、方法论文章开始出现。其中最重要的部分是由摩尔多瓦作曲家的音乐组成的音乐收藏。T. Voitsekhovskaya和A. Dailis为不同年龄的学生编写和编辑音乐辅助工具。这些科学和方法论作品的独特性是由于所研究材料的特殊性——一架特殊钢琴的主题,其微妙之处是作者、钢琴家、教师和表演者从他们的直接专业活动中所熟悉的。命名的科学出版物为进一步研究钢琴家开辟了道路,他们在20 - 21世纪之交变得特别多。
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Scientific-methodical activity of the pedagogues of the Special Piano Department of the State Conservatory of Chisinau during the years 1950–1970
The article describes the methodological and scientific works of the Special Piano department teachers from the Chisinau State Conservatory, created in the period 1950–1970s. The most common type of unpublished articles are reviews of colleagues’ concerts, reports, abstracts, essays and musical collections. The most serious scientific plans of the teachers were related to the genre of the dissertation. In the 1960s. the scientific and methodological articles of teachers of the department of Special Piano begin to appear. The most significant part of them is formed by music collections, composed of the music of Moldovan composers. T. Voitsekhovskaya and A. Dailis compiled and edited musical aids for students of different ages. The uniqueness of these scientific and methodological opuses is due to the specifics of the material under study – the subject of a special piano, the subtleties of which are familiar to authors, pianists-teachers and performers from their direct professional activities. The named scientific publications opened the way for further research of pianists, who became especially numerous at the turn of the XX–XXI centuries.
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来源期刊
Arta
Arta Arts and Humanities-Visual Arts and Performing Arts
自引率
0.00%
发文量
19
审稿时长
32 weeks
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