等待尊严:阿富汗的合法性和权威性

IF 0.5 3区 社会学 Q3 AREA STUDIES South Asia-Journal of South Asian Studies Pub Date : 2023-03-04 DOI:10.1080/00856401.2023.2183639
Kanak Rajadhyaksha
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引用次数: 0

摘要

条目和地图的修订(103)。在总结泰米尔公众对百科全书的接受情况时,我们被告知,到1968年最后一本补充卷出现时,“泰米尔文化世界发生了很大变化”,最重要的是德拉维达·蒙内特拉·卡扎甘(DMK)的政治权力崛起(108)。第6章提供的评论摘要试图解释其在地区媒体中的反响如何在DMK理论家手中基本上保持冷淡、批评甚至敌对。Kalaikalanjiyam在语言问题上随意认同国会和印度民族主义立场,并因其“混合的maniravala风格”和未使用tanitamil或纯泰米尔语而受到后者的严厉评判。正如本书所重申的,泰米尔地区身份和文化生产话语的形成部分受到马德拉斯东方主义学派遗产的影响,部分受到其早期理论家所设想的民族主义及其文化项目的必要性的影响,另一部分受到德拉威意识形态的影响,德拉威意识形态产生了另一组令人信服的反观点。其贡献之一是,本研究为进一步研究这些骨架对围绕“传统”和现代社会政治、文化和知识宝库的不断变化的定义进行辩论所产生的复杂影响,以及泰米尔语领域的内容、风格、赞助和受众形成等具体问题开辟了一个领域,尤其是在1947年前后的几十年里。
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Waiting for Dignity: Legitimacy and Authority in Afghanistan
the revision of entries and maps (103). Offering a summary of the reception of the encyclopaedia by the Tamil public, we are told that by the time the final supplementary volume appeared in 1968, ‘much had changed in the Tamil cultural world’, epitomised most of all by the rise to political power of the Dravida Munnetra Kazhagam (DMK) (108). The snapshot of reviews provided in Chapter 6 seeks to explain how its reception in the regional press remained largely lukewarm, critical or even hostile at the hands of DMK ideologues. The Kalaikalanjiyam came willy-nilly to be identified with the Congress and the Indian nationalist position on the language question and judged harshly by the latter for what they considered its ‘mixed manipravala style’ and failure to use tanittamil or pure Tamil. As the book reiterates, the shaping of a discourse of Tamil regional identity and cultural production were inflected partly by the legacy of the Madras school of Orientalism, partly by the imperatives of nationalism and its cultural project as conceived by its early ideologues, and partly by Dravidian ideology that produced another compelling set of counter-perspectives. Not the least of its contributions is that the present study opens up the field to further research on the complex bearing that these skeins had upon debates around shifting definitions of ‘traditional’ and modern socio-political, cultural and knowledge repertoires, as well as upon specific issues of content, style, patronage and audienceformation for the Tamil sphere, particularly in the decades just before and after 1947.
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来源期刊
CiteScore
1.20
自引率
11.10%
发文量
75
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