“主祷文”,在Ciprian Porumbescu的作曲观点中

Mihai Brie
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引用次数: 0

摘要

“在橄榄山上祈祷的弥赛亚模式已经成为后来教会整个金库的标准,这是我们今天的跨学科研究。鉴于这是耶稣基督自己说的,它与任何希望自己的日常生活与上帝持续交流的信徒都有关rd’s Prayer(我们的父亲)是一天中任何时间,早上、中午或晚上不可或缺的一部分,因为它代表了每个基督教梦想家必须在他的词汇表中拥有的关键词的精髓。每日的在下文中,我准备了一些研究,旨在吸引音乐家、神学家或当代科学家对这篇宏大祈祷中包含的操纵性要求进行务实化。因此,我们将神学研究与音乐学研究结合在一起,创作了一部来自古老罗马尼亚空间的杰出作品。在当地文化和文明史上,自古以来就留下了塑造罗马尼亚学术空间的著名名字。其中一个与科学相关的名字是Ciprian Porumbescu。他天生就有勤奋工作的天赋,随着时间的推移,他取得了成功并证实了自己的成功。作为一名多才多艺的音乐家,同时也是一名诗人和散文家,他设法在19世纪下半叶的历史上对布科维纳的宗教、民俗和爱国宝藏留下了独特的视角。所有这些宝藏都因其在切尔尼夫茨和维也纳的巨大进步而黯然失色,将自己刻在了19世纪末远离家乡的音乐时代的记忆中,尤其是在视觉上利用了他们数百年的全部时光。罗马尼亚合唱音乐中独特、复杂、有代表性的音乐家。关键词:耶稣基督,宗教,教会,波伦贝斯库,文化,唱诗班,民间传说,音乐,历史
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Das Gebet „Vaterunser” in der komponistischen Sicht von Ciprian Porumbescu – theologische und musikologische Aspekte
"The Messianic model of prayer uttered on the Mount of Olives, which has become a standard for the entire treasury of the later church, is our interdisciplinary research today. Given that it was uttered by Jesus Christ himself, it becomes relevant to any believer who wants his daily life to be in continual communion with God. In the liturgical richness of the Christian church of all times, the Lord’s Prayer (Our Father) is an integral part of any time of the day, morning, noon, or evening, because it represents the quintessence of the key words that every Christian visionary must have in his vocabulary. daily. In the following I have prepared research meant to attract the musician or theologian, or the contemporary scientist in the pragmatization of the manipulative requests contained in this grandiose prayer. Thus, we combined theological research with musicological research in an exceptional composition from the old Romanian space. In the history of the local culture and civilization, famous names have remained that have shaped the Romanian academic space from all times. One of these names of scientific relevance was Ciprian Porumbescu. Endowed natively with hard work, he succeeds and confirms over time his passage through time. A plurivalent musician, but also a poet and essayist, he manages to imprint in the history of the second half of the 19th century a unique perspective on the religious and folkloric and patriotic treasure of Bucovina. All this treasure is haloed by its vast improvement in Chernivtsi and Vienna, inscribing itself in the memory of the musical times of the end of the 19th century both far from the native places and especially capitalizing on them with their whole load of centuries in a vision. unique, complex, representative musician of Romanian choral music. Keywords: Jesus Christ, religion, church, Porumbescu, culture, choir, folklore, music, history "
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