{"title":"马拉维人的外国电影配音、盗版和消费是“弱者的武器”","authors":"Jiafang Li","doi":"10.1080/13696815.2022.2077706","DOIUrl":null,"url":null,"abstract":"ABSTRACT None of the multinational companies has ever released any film in Malawi – a so-called \"fourth world” whose GDP per capita is fourth from the bottom in the world (as of 2018). However, global films are widely found there, including in remote areas. Based on detailed fieldwork materials collected in Malawi, this article discusses the topic of foreign film dubbing (pirating) and consumption in Malawi. After the discussion, this article provides examples of how a \"fourth world”, which is excluded by global film networks, inserts itself back into that network again, and further stays connected to the globe.","PeriodicalId":45196,"journal":{"name":"Journal of African Cultural Studies","volume":"34 1","pages":"357 - 371"},"PeriodicalIF":0.9000,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Malawians’ Foreign Film Dubbing, Film Pirating and Consumption as “Weapons of the Weak”\",\"authors\":\"Jiafang Li\",\"doi\":\"10.1080/13696815.2022.2077706\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT None of the multinational companies has ever released any film in Malawi – a so-called \\\"fourth world” whose GDP per capita is fourth from the bottom in the world (as of 2018). However, global films are widely found there, including in remote areas. Based on detailed fieldwork materials collected in Malawi, this article discusses the topic of foreign film dubbing (pirating) and consumption in Malawi. After the discussion, this article provides examples of how a \\\"fourth world”, which is excluded by global film networks, inserts itself back into that network again, and further stays connected to the globe.\",\"PeriodicalId\":45196,\"journal\":{\"name\":\"Journal of African Cultural Studies\",\"volume\":\"34 1\",\"pages\":\"357 - 371\"},\"PeriodicalIF\":0.9000,\"publicationDate\":\"2022-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of African Cultural Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1080/13696815.2022.2077706\",\"RegionNum\":2,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of African Cultural Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/13696815.2022.2077706","RegionNum":2,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
Malawians’ Foreign Film Dubbing, Film Pirating and Consumption as “Weapons of the Weak”
ABSTRACT None of the multinational companies has ever released any film in Malawi – a so-called "fourth world” whose GDP per capita is fourth from the bottom in the world (as of 2018). However, global films are widely found there, including in remote areas. Based on detailed fieldwork materials collected in Malawi, this article discusses the topic of foreign film dubbing (pirating) and consumption in Malawi. After the discussion, this article provides examples of how a "fourth world”, which is excluded by global film networks, inserts itself back into that network again, and further stays connected to the globe.
期刊介绍：
The Journal of African Cultural Studies publishes leading scholarship on African culture from inside and outside Africa, with a special commitment to Africa-based authors and to African languages. Our editorial policy encourages an interdisciplinary approach, involving humanities, including environmental humanities. The journal focuses on dimensions of African culture, performance arts, visual arts, music, cinema, the role of the media, the relationship between culture and power, as well as issues within such fields as popular culture in Africa, sociolinguistic topics of cultural interest, and culture and gender. We welcome in particular articles that show evidence of understanding life on the ground, and that demonstrate local knowledge and linguistic competence. We do not publish articles that offer mostly textual analyses of cultural products like novels and films, nor articles that are mostly historical or those based primarily on secondary (such as digital and library) sources. The journal has evolved from the journal African Languages and Cultures, founded in 1988 in the Department of the Languages and Cultures of Africa at the School of Oriental and African Studies, London. From 2019, it is published in association with the International African Institute, London. Journal of African Cultural Studies publishes original research articles. The journal also publishes an occasional Contemporary Conversations section, in which authors respond to current issues. The section has included reviews, interviews and invited response or position papers. We welcome proposals for future Contemporary Conversations themes.
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