被龙半吞噬的女士和安提阿的圣玛格丽特的肖像:解读坎西奥涅罗将军中的匿名Invención (11CG-517)

IF 0.2 0 MEDIEVAL & RENAISSANCE STUDIES Magnificat Cultura i Literatura Medievals Pub Date : 2018-12-08 DOI:10.7203/MCLM.5.10383

Roger Boase

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引用次数: 1

摘要

跟随Ian Macpherson的脚步，我对Cancionero将军（11CG-517）和大英图书馆Cancioneo（LB1-251）中发现的一个匿名调查进行了解读。我坚持认为，记者展示的图像受到了安条克圣母殉道者圣玛格丽特肖像画的启发，我提出了一个关于这位女士身份的理论，以及关于记者的身份和展示invención的场合的理论，但不太确定，使用皮纳尔的Juego trobado作为研究工具，并引用了Hernando de Talavera的一篇论文中关于女性和贵妇人穿着带箍衬裙的时尚罪恶的一段话。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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The Lady Half-Devoured by a Dragon and the Iconography of Saint Margaret of Antioch: Interpreting an Anonymous Invención in the Cancionero general (11CG-517)

Following in the footsteps of Ian Macpherson, I offer an interpretation of an anonymous invención found in the Cancionero general (11CG-517) and the British Library Cancionero (LB1-251). I maintain that the image displayed by the jouster was inspired by the iconography of the virgin-martyr Saint Margaret of Antioch, and I propose a theory about the identity of the lady addressed and, with less certainty, about the identity of the jouster and the occasion when the invención was displayed, using Pinar’s Juego trobado as a tool of research and invoking a passage on the sinfulness of the fashion among ladies and damsels for wearing hooped petticoats in a treatise by Hernando de Talavera.

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Magnificat Cultura i Literatura Medievals MEDIEVAL & RENAISSANCE STUDIES-

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： Its coverage is threefold: (1) Cultural subjects for the Romance area, in the medieval and post-medieval era (up to 1600). (2) Literature, linguistics and cultural issues in general, concerning the Crown of Aragon and Occitania (and other related areas such as Naples and Navarre). (3) Digital humanities or otherwise methodological studies, provided that they may be of service to the medievalist. This annual publication has been created with the intention of serving as a platform for works that exceed the conventional length of journal articles. Therefore Magnificat CLM will preferably publish long articles, but articles of medium length are not excluded. Magnificat CLM is aimed at an audience of researchers and specialists in medieval studies, especially Romance philology, as well as of specialists in digital humanities. Magnificat CLM consists of a single section of articles, occasionally including a monographic dossier on particular subjects. All articles are indexed. Magnificat CLM published its first volume in 2014.