旷工的傲慢

IF 0.2 0 THEATER South African Theatre Journal Pub Date : 2021-01-02 DOI:10.1080/10137548.2021.2016072
M. Taub, A. Lamprecht
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引用次数: 0

摘要

利用Walter Benjamin的[2009。单向街和其他写作。伦敦:企鹅经典]Eingedenken和Jetztzeit,以及合著者将缺席者(一个不可能救赎的术语)的概念转化为反叛的寓言手法,有助于重新组合《时间飞逝》的反思:这是一个由合著者在2008年至2018年间共同创建的以寻宝为主导的表演项目。这篇反思性文章分为三个部分(或戏剧表演),并规定了三个主题:(i)缺席,(ii)愚蠢和(iii)记忆。这三个部分都是通过作者缺席的体现而出现的,这是为了思考在重新思考后殖民城市的殖民空间时,项目和思想如何整合成寓言式的缺席。
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Hubris of absenteeism
Harnessing Walter Benjamin’s [2009. One way street and other writing. London: Penguin Classics] Eingedenken and Jetztzeit along with the co-author’s notion of the Absent (a term in impossible redemption) into insurgent allegorical devices, are useful in reassembling reflections of ‘Time Flies’: a treasure hunt led performance project co-created by the co-authors between 2008 and 2018. The reflective essay is made in three parts (or theatrical acts) and prescribes to three themes: (i) absence, (ii) foolishness and (iii) remembrance. These three parts occur through an embodiment of absent authorship, made as a point of considering how the project and ideas collate into allegorical absence in reconsidering colonial space in the post-colonial city.
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0.20
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发文量
7
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