{"title":"新媒体、新媒体:加纳社会主义电视的简史","authors":"Jenny L. Blaylock","doi":"10.1215/01903659-9615459","DOIUrl":null,"url":null,"abstract":"Television in Ghana was born at a radical time when Africans across the continent were boldly inventing systems of governance resistant to imperialism and racial inequality. Alongside the formation of the new state, the new medium was designed to help realize visions of Pan-Africanism and African socialism promoted by Kwame Nkrumah. With the February 24, 1966, coup d’état seven months after its first broadcast, Ghanaian socialist television ended. Based on archival research and interviews with Ghanaian television pioneers, in this essay I argue that this Afrofuturist segment of Ghana's media past provides a counternarrative to new media discourse from the colonial era that positioned Africa as the passive receiver of television. I show how transnational influences were actively adapted to theorize the new medium in opposition to racial capitalism and propose that media archaeologies attuned to Afrofuturism may reorient the field toward social and political justice in the present.","PeriodicalId":46332,"journal":{"name":"Boundary 2-An International Journal of Literature and Culture","volume":" ","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"New Media, Neo-Media: The Brief Life of Socialist Television in Ghana\",\"authors\":\"Jenny L. Blaylock\",\"doi\":\"10.1215/01903659-9615459\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Television in Ghana was born at a radical time when Africans across the continent were boldly inventing systems of governance resistant to imperialism and racial inequality. Alongside the formation of the new state, the new medium was designed to help realize visions of Pan-Africanism and African socialism promoted by Kwame Nkrumah. With the February 24, 1966, coup d’état seven months after its first broadcast, Ghanaian socialist television ended. Based on archival research and interviews with Ghanaian television pioneers, in this essay I argue that this Afrofuturist segment of Ghana's media past provides a counternarrative to new media discourse from the colonial era that positioned Africa as the passive receiver of television. I show how transnational influences were actively adapted to theorize the new medium in opposition to racial capitalism and propose that media archaeologies attuned to Afrofuturism may reorient the field toward social and political justice in the present.\",\"PeriodicalId\":46332,\"journal\":{\"name\":\"Boundary 2-An International Journal of Literature and Culture\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-02-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Boundary 2-An International Journal of Literature and Culture\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1215/01903659-9615459\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Boundary 2-An International Journal of Literature and Culture","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1215/01903659-9615459","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
New Media, Neo-Media: The Brief Life of Socialist Television in Ghana
Television in Ghana was born at a radical time when Africans across the continent were boldly inventing systems of governance resistant to imperialism and racial inequality. Alongside the formation of the new state, the new medium was designed to help realize visions of Pan-Africanism and African socialism promoted by Kwame Nkrumah. With the February 24, 1966, coup d’état seven months after its first broadcast, Ghanaian socialist television ended. Based on archival research and interviews with Ghanaian television pioneers, in this essay I argue that this Afrofuturist segment of Ghana's media past provides a counternarrative to new media discourse from the colonial era that positioned Africa as the passive receiver of television. I show how transnational influences were actively adapted to theorize the new medium in opposition to racial capitalism and propose that media archaeologies attuned to Afrofuturism may reorient the field toward social and political justice in the present.
期刊介绍:
Extending beyond the postmodern, boundary 2, an international journal of literature and culture, approaches problems in these areas from a number of politically, historically, and theoretically informed perspectives. boundary 2 remains committed to understanding the present and approaching the study of national and international culture and politics through literature and the human sciences.