印度的民主党表现

IF 0.3 3区 艺术学 0 THEATER NEW THEATRE QUARTERLY Pub Date : 2023-05-01 DOI:10.1017/S0266464X23000076
A. Bellucci
{"title":"印度的民主党表现","authors":"A. Bellucci","doi":"10.1017/S0266464X23000076","DOIUrl":null,"url":null,"abstract":"In the winter of 2020, the Jana Natya Manch (People’s Theatre Front), a political performance group and street-theatre pioneer in India, created a new kind of performance in response to current events. The Hindu-nationalist government was then implementing discriminatory laws targeting Muslims. The very constitution of India, a ‘sovereign, socialist, secular, democratic republic’ (Constitution Preamble) was under threat. Instead of a conventional street play, the Jana Natya Manch set up a participatory ‘game’ or ‘interactive presentation’ that brought together random and diverse audiences to act, or play, as a united people. The group put into place an inclusive experiment, rather than a didactic one, to counter exclusionary rules and address democratic deficits. Thus this Indian ‘people’s theatre’ produced ‘democratic performances’ that questioned both artistic and political representations. This article, based on fieldwork with the Jana Natya Manch, offers a script translation and an analysis of a new kind of performance developed in active circumstances.","PeriodicalId":43990,"journal":{"name":"NEW THEATRE QUARTERLY","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Democratic Performance with the Jana Natya Manch in India\",\"authors\":\"A. Bellucci\",\"doi\":\"10.1017/S0266464X23000076\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the winter of 2020, the Jana Natya Manch (People’s Theatre Front), a political performance group and street-theatre pioneer in India, created a new kind of performance in response to current events. The Hindu-nationalist government was then implementing discriminatory laws targeting Muslims. The very constitution of India, a ‘sovereign, socialist, secular, democratic republic’ (Constitution Preamble) was under threat. Instead of a conventional street play, the Jana Natya Manch set up a participatory ‘game’ or ‘interactive presentation’ that brought together random and diverse audiences to act, or play, as a united people. The group put into place an inclusive experiment, rather than a didactic one, to counter exclusionary rules and address democratic deficits. Thus this Indian ‘people’s theatre’ produced ‘democratic performances’ that questioned both artistic and political representations. This article, based on fieldwork with the Jana Natya Manch, offers a script translation and an analysis of a new kind of performance developed in active circumstances.\",\"PeriodicalId\":43990,\"journal\":{\"name\":\"NEW THEATRE QUARTERLY\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"NEW THEATRE QUARTERLY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S0266464X23000076\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"NEW THEATRE QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S0266464X23000076","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0

摘要

2020年冬天,印度政治表演团体和街头戏剧先驱Jana Natya Manch(人民剧院阵线)为应对时事创造了一种新的表演方式。印度教民族主义政府当时正在实施针对穆斯林的歧视性法律。印度的宪法,一个“主权、社会主义、世俗、民主的共和国”(宪法序言)正受到威胁。Jana Natya Manch不是传统的街头戏剧,而是建立了一个参与性的“游戏”或“互动演示”,将随机和不同的观众聚集在一起,作为一个团结的民族表演。该组织实施了一项包容性的实验,而不是说教性的实验,以对抗排斥性规则并解决民主赤字问题。因此,这个印度的“人民剧院”产生了质疑艺术和政治表现的“民主表演”。这篇文章基于和Jana Natya Manch的实地考察,提供了一个脚本翻译,并分析了一种在活跃环境中发展起来的新型表演。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Democratic Performance with the Jana Natya Manch in India
In the winter of 2020, the Jana Natya Manch (People’s Theatre Front), a political performance group and street-theatre pioneer in India, created a new kind of performance in response to current events. The Hindu-nationalist government was then implementing discriminatory laws targeting Muslims. The very constitution of India, a ‘sovereign, socialist, secular, democratic republic’ (Constitution Preamble) was under threat. Instead of a conventional street play, the Jana Natya Manch set up a participatory ‘game’ or ‘interactive presentation’ that brought together random and diverse audiences to act, or play, as a united people. The group put into place an inclusive experiment, rather than a didactic one, to counter exclusionary rules and address democratic deficits. Thus this Indian ‘people’s theatre’ produced ‘democratic performances’ that questioned both artistic and political representations. This article, based on fieldwork with the Jana Natya Manch, offers a script translation and an analysis of a new kind of performance developed in active circumstances.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.30
自引率
0.00%
发文量
45
期刊介绍: New Theatre Quarterly provides a vital international forum where theatrical scholarship and practice can meet and where prevailing dramatic assumptions can be subjected to vigorous critical questioning. It shows that theatre history has a contemporary relevance, that theatre studies need a methodology and that theatre criticism needs a language. The journal publishes news, analysis and debate within the field of theatre studies.
期刊最新文献
Documentary and Community Theatre with Young People in Madrid: The Creative Process of Mundo Quinta Embodied Gestures of Human Rights: Remorse, Sentiment, and Sympathy in Romantic Regency Drama British Theatre from Agitprop to ‘Primark Playwriting’ Othello: A Moor Rorschach Test Mysticism as Transgression in Chista Yasrebi’s Rahil
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1