模因文化和社交媒体是异议和统治的性别空间

Q1 Arts and Humanities Journal of Visual Literacy Pub Date : 2021-09-11 DOI:10.1080/1051144X.2021.1974775
S. Kumari
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引用次数: 0

摘要

摘要以技术为媒介的传播以制造幽默/讽刺为幌子,在社交媒体上广泛使用图像。一方面,这些手柄被用来表达刺激性问题;另一方面,她们可能要为在工作中面临针对她们的敌对言论的女孩/妇女造成的痛苦处境承担责任。男人说教、反女权主义和通过模因过滤的离经叛道的评论很常见,并成为处理不当的社会、文化、种族和政治比喻的载体。本文试图批评社交媒体上通过模因传播的比喻/信息的视觉曲解和误读,同时研究女性主义媒体研究交叉点的视觉素养范围。这可以使人们对模因文化有更细致的理解,将其视为统治和反厌女叙事的空间。本文借鉴了在文化研究、视觉研究、传播研究领域发展起来的理论和概念框架,并对这一主题进行了相互关联的批判。
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Meme culture and social media as gendered spaces of dissent and dominance
Abstract Technology mediated communication has promulgated the usage of widespread images on social media under the guise of generating humour/irony. On the one hand, these handles are being utilized to voice stimulating issues; on the other, they can be held accountable for perpetrating distressing conditions for girls/women who face hostile rhetoric at work against them. Mansplaining, anti-feminist and off the mark comments filtered through memes are common and become carriers of mishandled social, cultural, racial and political tropes. The proposed paper attempts to critique visual misrepresentation and misreadings of tropes/messages channelized through memes on social media, alongside the study the scope of visual literacy at the intersections of feminist media studies. This can lead to a more nuanced understanding of meme culture as spaces for dominance and counter narratives of misogyny. The paper draws on theories and conceptual frameworks developed in the field of cultural studies, visual studies, communication studies and offers an interconnected critique of the subject.
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来源期刊
Journal of Visual Literacy
Journal of Visual Literacy Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.30
自引率
0.00%
发文量
12
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