在边缘丹蒂卡的《海之光的克莱尔》(2013)中,反对第四次工业革命的非殖民化希望。

Q3 Arts and Humanities Revista de Estudios Norteamericanos Pub Date : 2022-01-01 DOI:10.12795/ren.2022.i26.12
Mónica Fernández Jiménez
{"title":"在边缘丹蒂卡的《海之光的克莱尔》(2013)中,反对第四次工业革命的非殖民化希望。","authors":"Mónica Fernández Jiménez","doi":"10.12795/ren.2022.i26.12","DOIUrl":null,"url":null,"abstract":"This article explores Edwidge Danticat’s last novel, Claire of the Sea Light (2013), as a response to Modern/colonial ideologies of progress that continue to emanate from predictions of a Fourth Industrial Revolution. After an analysis of the work of Danticat as literature of the American hemisphere instead of merely Haitian or Caribbean literature, this article contends that the text’s portrayal of nature, the environment, and the past aligns with visions of decolonial hope rather than with the linear progress of the Fourth Industrial Revolution. Through the stories of a small community in Haiti, Claire of the Sea Light portrays the degradation of the environment that ravishes the country and does so in relation to the external forces that affect it, presenting a coloniality of climate associated to racial dynamics of the American hemisphere. The blending of human narratives and environmental ones in the novel nevertheless offers possibilities for resistance and a hopeful vision of the country rooted in decolonial ecologies and Caribbean epistemology. Granting equal importance to the stories of non-human actors in the narrative, the novel positions itself outside the Modern/colonial tradition to embrace a decolonial poetics that offers hope in a world which has proved to continually reproduce its own coloniality as new technology is developed.","PeriodicalId":38126,"journal":{"name":"Revista de Estudios Norteamericanos","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"DECOLONIAL HOPE AGAINST THE FOURTH INDUSTRIAL REVOLUTION IN EDWIDGE DANTICAT’S CLAIRE OF THE SEA LIGHT (2013).\",\"authors\":\"Mónica Fernández Jiménez\",\"doi\":\"10.12795/ren.2022.i26.12\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article explores Edwidge Danticat’s last novel, Claire of the Sea Light (2013), as a response to Modern/colonial ideologies of progress that continue to emanate from predictions of a Fourth Industrial Revolution. After an analysis of the work of Danticat as literature of the American hemisphere instead of merely Haitian or Caribbean literature, this article contends that the text’s portrayal of nature, the environment, and the past aligns with visions of decolonial hope rather than with the linear progress of the Fourth Industrial Revolution. Through the stories of a small community in Haiti, Claire of the Sea Light portrays the degradation of the environment that ravishes the country and does so in relation to the external forces that affect it, presenting a coloniality of climate associated to racial dynamics of the American hemisphere. The blending of human narratives and environmental ones in the novel nevertheless offers possibilities for resistance and a hopeful vision of the country rooted in decolonial ecologies and Caribbean epistemology. Granting equal importance to the stories of non-human actors in the narrative, the novel positions itself outside the Modern/colonial tradition to embrace a decolonial poetics that offers hope in a world which has proved to continually reproduce its own coloniality as new technology is developed.\",\"PeriodicalId\":38126,\"journal\":{\"name\":\"Revista de Estudios Norteamericanos\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista de Estudios Norteamericanos\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12795/ren.2022.i26.12\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista de Estudios Norteamericanos","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12795/ren.2022.i26.12","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

摘要

本文探讨了Edwidge Danticat的最后一部小说《海之光的克莱尔》(Claire of the Sea Light, 2013),作为对第四次工业革命预言中不断涌现的现代/殖民主义进步意识形态的回应。在分析了但丁卡特的作品作为美洲半球的文学而不仅仅是海地或加勒比文学之后,本文认为,文本对自然、环境和过去的描绘与非殖民化的希望的愿景一致,而不是与第四次工业革命的线性进展一致。通过海地一个小社区的故事,海之光的克莱尔描绘了这个国家的环境退化,并将其与影响它的外部力量联系起来,呈现了与美洲半球种族动态相关的殖民气候。然而,小说中人类叙事和环境叙事的融合为抵抗提供了可能性,并为这个植根于非殖民化生态和加勒比认识论的国家提供了充满希望的愿景。小说在叙事中对非人类角色的故事给予同等的重视,将自己置于现代/殖民传统之外,以拥抱一种非殖民化的诗学,这种诗学为一个随着新技术的发展而不断复制其自身殖民性的世界提供了希望。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
DECOLONIAL HOPE AGAINST THE FOURTH INDUSTRIAL REVOLUTION IN EDWIDGE DANTICAT’S CLAIRE OF THE SEA LIGHT (2013).
This article explores Edwidge Danticat’s last novel, Claire of the Sea Light (2013), as a response to Modern/colonial ideologies of progress that continue to emanate from predictions of a Fourth Industrial Revolution. After an analysis of the work of Danticat as literature of the American hemisphere instead of merely Haitian or Caribbean literature, this article contends that the text’s portrayal of nature, the environment, and the past aligns with visions of decolonial hope rather than with the linear progress of the Fourth Industrial Revolution. Through the stories of a small community in Haiti, Claire of the Sea Light portrays the degradation of the environment that ravishes the country and does so in relation to the external forces that affect it, presenting a coloniality of climate associated to racial dynamics of the American hemisphere. The blending of human narratives and environmental ones in the novel nevertheless offers possibilities for resistance and a hopeful vision of the country rooted in decolonial ecologies and Caribbean epistemology. Granting equal importance to the stories of non-human actors in the narrative, the novel positions itself outside the Modern/colonial tradition to embrace a decolonial poetics that offers hope in a world which has proved to continually reproduce its own coloniality as new technology is developed.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Revista de Estudios Norteamericanos
Revista de Estudios Norteamericanos Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
2
期刊最新文献
EARLY 20TH-CENTURY AMERICAN TRAVELERS AND ART DEALERS OF THE SPANISH ARTISTIC AND HISTORICAL HERITAGE: ARTHUR AND MILDRED STAPLEY BYNE AND THEIR DOUBLE LIVES AS PLUNDERERS AND TRAVEL WRITERS. “ONE NIGHTMARE REPLACES ANOTHER”: TRAUMA AND MOURNING IN THE AGE OF TERROR THROUGH PAUL AUSTER’S TRAVELS IN THE SCRIPTORIUM AND MAN IN THE DARK. REVIEW OF ROSAS EN LA ARENA. LOS RELATOS DE SUSAN GLASPELL. NOELIA HERNANDO-REAL. València: Universitat de València, 2022, pp. 248. ISBN: 978-84-9134-048-1. ‘FOR EVERMORE’: AN EXAMINATION OF MUSICAL EKPHRASES OF EDGAR ALLAN POE’S “THE RAVEN” SARAH E. FARRO’S TRUE LOVE (1891): PLAGIARIST RECONFIGURATIONS OF ELLEN WOOD’S THE SHADOW OF ASHLYDYAT (1863)
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1