{"title":"在边缘丹蒂卡的《海之光的克莱尔》(2013)中,反对第四次工业革命的非殖民化希望。","authors":"Mónica Fernández Jiménez","doi":"10.12795/ren.2022.i26.12","DOIUrl":null,"url":null,"abstract":"This article explores Edwidge Danticat’s last novel, Claire of the Sea Light (2013), as a response to Modern/colonial ideologies of progress that continue to emanate from predictions of a Fourth Industrial Revolution. After an analysis of the work of Danticat as literature of the American hemisphere instead of merely Haitian or Caribbean literature, this article contends that the text’s portrayal of nature, the environment, and the past aligns with visions of decolonial hope rather than with the linear progress of the Fourth Industrial Revolution. Through the stories of a small community in Haiti, Claire of the Sea Light portrays the degradation of the environment that ravishes the country and does so in relation to the external forces that affect it, presenting a coloniality of climate associated to racial dynamics of the American hemisphere. The blending of human narratives and environmental ones in the novel nevertheless offers possibilities for resistance and a hopeful vision of the country rooted in decolonial ecologies and Caribbean epistemology. Granting equal importance to the stories of non-human actors in the narrative, the novel positions itself outside the Modern/colonial tradition to embrace a decolonial poetics that offers hope in a world which has proved to continually reproduce its own coloniality as new technology is developed.","PeriodicalId":38126,"journal":{"name":"Revista de Estudios Norteamericanos","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"DECOLONIAL HOPE AGAINST THE FOURTH INDUSTRIAL REVOLUTION IN EDWIDGE DANTICAT’S CLAIRE OF THE SEA LIGHT (2013).\",\"authors\":\"Mónica Fernández Jiménez\",\"doi\":\"10.12795/ren.2022.i26.12\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article explores Edwidge Danticat’s last novel, Claire of the Sea Light (2013), as a response to Modern/colonial ideologies of progress that continue to emanate from predictions of a Fourth Industrial Revolution. After an analysis of the work of Danticat as literature of the American hemisphere instead of merely Haitian or Caribbean literature, this article contends that the text’s portrayal of nature, the environment, and the past aligns with visions of decolonial hope rather than with the linear progress of the Fourth Industrial Revolution. Through the stories of a small community in Haiti, Claire of the Sea Light portrays the degradation of the environment that ravishes the country and does so in relation to the external forces that affect it, presenting a coloniality of climate associated to racial dynamics of the American hemisphere. The blending of human narratives and environmental ones in the novel nevertheless offers possibilities for resistance and a hopeful vision of the country rooted in decolonial ecologies and Caribbean epistemology. Granting equal importance to the stories of non-human actors in the narrative, the novel positions itself outside the Modern/colonial tradition to embrace a decolonial poetics that offers hope in a world which has proved to continually reproduce its own coloniality as new technology is developed.\",\"PeriodicalId\":38126,\"journal\":{\"name\":\"Revista de Estudios Norteamericanos\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista de Estudios Norteamericanos\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12795/ren.2022.i26.12\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista de Estudios Norteamericanos","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12795/ren.2022.i26.12","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
本文探讨了Edwidge Danticat的最后一部小说《海之光的克莱尔》(Claire of the Sea Light, 2013),作为对第四次工业革命预言中不断涌现的现代/殖民主义进步意识形态的回应。在分析了但丁卡特的作品作为美洲半球的文学而不仅仅是海地或加勒比文学之后,本文认为,文本对自然、环境和过去的描绘与非殖民化的希望的愿景一致,而不是与第四次工业革命的线性进展一致。通过海地一个小社区的故事,海之光的克莱尔描绘了这个国家的环境退化,并将其与影响它的外部力量联系起来,呈现了与美洲半球种族动态相关的殖民气候。然而,小说中人类叙事和环境叙事的融合为抵抗提供了可能性,并为这个植根于非殖民化生态和加勒比认识论的国家提供了充满希望的愿景。小说在叙事中对非人类角色的故事给予同等的重视,将自己置于现代/殖民传统之外,以拥抱一种非殖民化的诗学,这种诗学为一个随着新技术的发展而不断复制其自身殖民性的世界提供了希望。
DECOLONIAL HOPE AGAINST THE FOURTH INDUSTRIAL REVOLUTION IN EDWIDGE DANTICAT’S CLAIRE OF THE SEA LIGHT (2013).
This article explores Edwidge Danticat’s last novel, Claire of the Sea Light (2013), as a response to Modern/colonial ideologies of progress that continue to emanate from predictions of a Fourth Industrial Revolution. After an analysis of the work of Danticat as literature of the American hemisphere instead of merely Haitian or Caribbean literature, this article contends that the text’s portrayal of nature, the environment, and the past aligns with visions of decolonial hope rather than with the linear progress of the Fourth Industrial Revolution. Through the stories of a small community in Haiti, Claire of the Sea Light portrays the degradation of the environment that ravishes the country and does so in relation to the external forces that affect it, presenting a coloniality of climate associated to racial dynamics of the American hemisphere. The blending of human narratives and environmental ones in the novel nevertheless offers possibilities for resistance and a hopeful vision of the country rooted in decolonial ecologies and Caribbean epistemology. Granting equal importance to the stories of non-human actors in the narrative, the novel positions itself outside the Modern/colonial tradition to embrace a decolonial poetics that offers hope in a world which has proved to continually reproduce its own coloniality as new technology is developed.