从日本人的角度

Q3 Arts and Humanities Miedzy Oryginalem a Przekladem Pub Date : 2022-12-18 DOI:10.12797/moap.28.2022.58.06
Katarzyna Sonnenberg-Musiał
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引用次数: 0

摘要

日本作家、翻译家和文学评论家森Ōgai(1862-1922)在他的中篇小说《舞女》(1890年)、《妄想》(1911年)和《花子》(1910年)中融入了欧洲文学和文化。这种解释学的方法揭示了这位日本作家对外语、文化符号、哲学和艺术的浓厚兴趣,这有助于他的作品中错综复杂的外国影响形象,并邀请他的欧洲读者和译者重新审视他们自己的文化传统。
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Z japońskiej perspektywy
FROM A JAPANESE PERSPECTIVE: THE WESTERN INFLUENCES IN THE WORKS OF ŌGAI The article focuses on how Mori Ōgai (1862-1922), a Japanese writer, translator and literary critic, incorporated references to European literature and culture in his novellas: Maihime (The Dancing Girl, 1890), Mōsō (Delusion, 1911) and Hanako (1910). The hermeneutic approach sheds light on the Japanese author’s vivid interest in foreign languages, cultural symbols, philosophy and arts which contributes to the intricate image of foreign influences in his oeuvre and invite his readers and translators in Europe to revisit their own cultural tradition.
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Miedzy Oryginalem a Przekladem
Miedzy Oryginalem a Przekladem Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
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发文量
19
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