公司血液戏剧记忆的历史:镌刻在后独裁身体上的社会创伤

IF 0.1 3区 艺术学 0 THEATER LATIN AMERICAN THEATRE REVIEW Pub Date : 2020-05-22 DOI:10.1353/ltr.2020.0013
Andrea Jeftanovic, L. Garrido
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引用次数: 0

摘要

摘要:本研究的目的是分析阿尔弗雷多·卡斯特罗的戏剧文本《圣歌的历史》,这是一部在身体和语言中探索创伤记忆的复杂作品。该剧以臭名昭著的犯罪新闻为素材,讲述了智利军事独裁时期被侵犯的尸体的故事,并在此过程中揭示了记忆的不同维度。在《人类史》中,证词被认为是集体记忆建构的一部分,个人传记和集体传记在其中重叠。此外,这部戏剧性的作品拆解了这个国家关于性别分类和家庭角色的叙述。
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Historia de la sangre de la compañía Teatro La Memoria: el trauma social inscrito en el cuerpo posdictadorial
Abstract:The purpose of this work is to analyze Alfredo Castro's dramatic text Historia de la sangre, a complex work that explores the memory of trauma in the body and language. Based on the headlines of notorious crimes, this play depicts the story of violated bodies during the military dictatorship in Chile and in the process unveils different dimensions of memory. In Historia de la sangre, testimonies are recognized as part of the construction of a collective memory in which individual and collective biographies overlap. In addition, this dramatic work disassembles the nation's narrative about gender classifications and family roles.
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12
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