万堂壁画的古代色彩:佛祖信仰的再成像

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Journal of Urban Culture Research Pub Date : 2011-01-01 DOI:10.14456/JUCR.2011.12
Pichai Thutongkinanon
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引用次数: 2

摘要

菩提沙望礼拜堂是腊达那古辛时期最完整、最古老的礼拜堂之一,对古代色彩的研究侧重于通过壁画描绘信仰佛教的智慧。本文旨在系统地分析教堂壁画中发现的古代色彩组合,并描绘泰国人创作的作品的价值。研究鉴定!基本色:红、绿、蓝、黑为原色组。发现的其他颜色有白色、橙色和黄色,以金色为特色!一种特别用于佛像和宫殿建筑的颜色。这里使用的颜色是独特的,不同于阿尤德达亚时期或今天发现的颜色。底座通常以深色为特色,由明亮的颜色或色调和高强度的颜色(如金色叶子的红色和金色)来强调。颜色具有高强度颜色高于低强度基础色的模式。这唤起了信仰,神秘的感觉,与佛教故事中的神奇元素相对应。此外,色彩在绘画中也被用作符号。
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The Ancient Colors of Mural Paintingwan Chapel: Re-Imaging of Faith in the Bhuddhaisa
The study of the ancient colors at the Bhuddhaisawan Chapel, one of the most complete and oldest of the Rattanakosin Period, focuses on the wisdom that portrays Buddhism with faith through mural painting. This paper aims to systematically analyze the group of ancient colors found in the mural of the Chapel and depict the value of the work created by the Thais. The study identi!es basic colors: red, green, blue and black as the primary group. The other colors found are white, orange and yellow with gold as the speci!c color used particularly on the body of the Lord Buddha and the structures of the palace. The colors used here are unique and differ from those seen in the Ayuddhaya period or those found today. The base is often featured in dark colors, accentuated by bright colors or hues and high intensity colors such as red and gold from the gold leaves. The coloration has a pattern of high intensity colors over low intensity base colors. This invokes faith, mystique feelings, corresponding with magical elements in the Buddhist stories. In addition, colors are also used as symbols in painting.
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Journal of Urban Culture Research
Journal of Urban Culture Research HUMANITIES, MULTIDISCIPLINARY-
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