希腊约阿尼纳岛上的阿吉奥斯·潘特莱蒙修道院的天主教徒

I. Chouliarás
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The catholicon today is a three-aisled basilica with a quadruple roof and in its present size was probably built at late 17th or early 18th century. The aisles are separated by wooden colonnades. The W and N walls, probably most of the E, were rebuilt after their destruction in the early 19th century by falling rocks. In the E there is a semicircular arch. The original church was supposed to be a small one-aisled with a semicircular arch, traces of which were discovered on the SE side of the modern church.From the early building phase the modern church has incorporated part of the S wall, which dates to the early 15th century. On the W side was added a late 19th-century loggia, which is roofed with a sloping roof lower than that of the church and possibly replaced an older one. The column of the loggia comes from an earlier building phase of the church. On the W side is raised a rectangular narthex, possibly of the same date as the loggia, which is roofed with a quadruple roof. The present entrance door to the main church is located at the W end of the S wall, while the original door was opened in the middle of the same wall and has been walled today. There is a small conch above the walled door.The church is built of stone with irregularly placed stones. More elaborate construction on the arch with carved stones in the pseudo-isodomic system. On the S wall between the stones are inserted bricks. Brick arched frame is formed above the walled gate. The fresco decoration of the catholicon is confined to the outer front of the S wall and the lower parts of the main church. It is of particular importance, as we distinguish five post-Byzantine phases, the first of which at the end of the 15th century. The first is located in the E part of the outer front of the S wall. The rest continue to the W on the outer front of the same wall and on the lower parts inside the main church.In the initial phase of the frescoes belong the Deisis with the Christ and the Virgin, as well as the frontal St. Nicholas, behind the Virgin. The upper parts of the scene have been repainted. The next phase, which can be dated to the 16th century, involves the half-bodied Christ above the conch of the S wall, who blesses with open arms and two full-length archangels on either side of the conch, who have also been repainted. In the third phase of the painting belongs the enthroned Virgin holding the Child amid two angels, pictured behind her massive wooden throne. The composition is to the right of the entrance door to the church. This layer is precisely dated by a dedicatory inscription bearing the date ZΡKϚ (= 1617/18). The penultimate phase is found only in the interior of the catholicon, in the lower parts of the sanctuary, and on the N and S walls of the main church, where a decorative zone is distinguished. The feet of at least two saints are visible on the N wall, another figure of saint next to the iconostasis on the S wall and to the right of the doorway to the church the lower part of the body of a frontal archangel, who steps on a cloud. Above the door there should have been the inscription, mentioned by Aravantinos, but not preserved today, and bearing the date ΑΨΖ (= 1707). During the late 19th century, the outer conch of the S wall was painted with St. Panteleimon, who is depicted half-bodied and holding a vessel and a scalpel.The building phases of the catholicon and the multiple layers of its decoration make it one of the most important monuments of the Ioannina area, as it locates the oldest known frescoes on the Island and throughout the Ioannina basin. At the same time, after reading of one of the dedicatory inscriptions, it was possible to distinguish more clearly the painting layers and to make more effective use of the older reading, by Aravantinos, of the inscription in the interior of the catholicon.","PeriodicalId":41089,"journal":{"name":"Studia Slavica et Balcanica Petropolitana","volume":"1 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Catholicon of the Monastery of Agios Panteleimon on the Island of Ioannina, Greece\",\"authors\":\"I. Chouliarás\",\"doi\":\"10.21638/spbu19.2020.208\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The monastery is located at the SE end of the settlement of the Island and became widely known in modern history, as Ali Pasha was assassinated in its cells in 1822. 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引用次数: 0

摘要

这座修道院位于岛上定居点的东南端,在现代历史上广为人知,因为1822年阿里·帕夏(Ali Pasha)在修道院被暗杀。今天的天主教堂是一座三廊四顶的长方形教堂,目前的规模可能建于17世纪末或18世纪初。过道由木制柱廊隔开。19世纪初,西墙和北墙,可能还有东墙的大部分,都被落石摧毁后重建。在E音中有一个半圆拱。最初的教堂应该是一个带有半圆形拱门的小过道,在现代教堂的东南面发现了它的痕迹。这座修道院位于岛上定居点的东南端,在现代历史上广为人知,因为1822年阿里·帕夏(Ali Pasha)在修道院被暗杀。今天的天主教堂是一座三廊四顶的长方形教堂,目前的规模可能建于17世纪末或18世纪初。过道由木制柱廊隔开。19世纪初,西墙和北墙,可能还有东墙的大部分,都被落石摧毁后重建。在E音中有一个半圆拱。最初的教堂应该是一个带有半圆形拱门的小过道,在现代教堂的东南面发现了它的痕迹。从早期的建筑阶段开始,这座现代教堂就融入了可追溯到15世纪初的S墙的一部分。在西侧增加了一座19世纪晚期的凉廊,它的屋顶是一个比教堂低的倾斜屋顶,可能取代了一个更老的屋顶。凉廊的柱子来自教堂早期的建筑阶段。在西侧是一个长方形的中庭,可能与凉廊的年代相同,屋顶是四层屋顶。现在主教堂的入口门位于S墙的W端,而原来的门在同一堵墙的中间打开,今天已经被围起来了。墙门上方有一只小海螺。这座教堂是用不规则放置的石头建造的。在拱顶上更有精巧的建筑用石雕成的伪等形体系。在石头之间的南墙上嵌砖。墙门上方形成砖拱框架。大公堂的壁画装饰仅限于S墙的外正面和主教堂的下部。这是特别重要的,因为我们区分了五个后拜占庭阶段,第一个阶段在15世纪末。第一个位于S墙外正面的E部分。其余部分继续向W方向延伸,位于同一面墙的外侧和主教堂的下部。在壁画的最初阶段,神像与基督和圣母同在,以及圣尼古拉斯的正面,圣母的后面。场景的上半部分已经重新粉刷过了。下一阶段的壁画可以追溯到16世纪,画的是S墙的海螺上方半身的耶稣,他张开双臂祝福,海螺两侧有两个全身的大天使,这两个天使也被重新粉刷过。在这幅画的第三阶段,圣母抱着孩子站在两个天使中间,在她巨大的木制宝座后面。这幅画在教堂大门的右边。这一层的确切年代是由刻有日期ZΡKϚ(= 1617/18)的铭文确定的。倒数第二阶段只出现在大公堂的内部,在圣所的下部,以及主教堂的北面和南面的墙壁上,在那里有一个装饰区。在北面的墙上至少可以看到两位圣徒的脚,在南面墙上的圣像雕像旁边可以看到另一位圣徒的身影,在教堂门口的右边是一个行走在云上的正面天使长的身体的下半部分。门的上方应该有阿拉万蒂诺斯提到的铭文,但今天没有保存下来,上面写着日期ΑΨΖ(= 1707)。在19世纪后期,S墙的外海螺上画着圣潘泰莱蒙,他被描绘成半身像,拿着一个容器和一把手术刀。大教堂的建筑阶段和多层装饰使它成为约阿尼纳地区最重要的纪念碑之一,因为它位于岛上和整个约阿尼纳盆地最古老的壁画。与此同时,在阅读了其中一个奉献题词之后,可以更清楚地区分绘画层,并更有效地利用Aravantinos对天主教内部题词的旧阅读。
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The Catholicon of the Monastery of Agios Panteleimon on the Island of Ioannina, Greece
The monastery is located at the SE end of the settlement of the Island and became widely known in modern history, as Ali Pasha was assassinated in its cells in 1822. The catholicon today is a three-aisled basilica with a quadruple roof and in its present size was probably built at late 17th or early 18th century. The aisles are separated by wooden colonnades. The W and N walls, probably most of the E, were rebuilt after their destruction in the early 19th century by falling rocks. In the E there is a semicircular arch. The original church was supposed to be a small one-aisled with a semicircular arch, traces of which were discovered on the SE side of the modern church.The monastery is located at the SE end of the settlement of the Island and became widely known in modern history, as Ali Pasha was assassinated in its cells in 1822. The catholicon today is a three-aisled basilica with a quadruple roof and in its present size was probably built at late 17th or early 18th century. The aisles are separated by wooden colonnades. The W and N walls, probably most of the E, were rebuilt after their destruction in the early 19th century by falling rocks. In the E there is a semicircular arch. The original church was supposed to be a small one-aisled with a semicircular arch, traces of which were discovered on the SE side of the modern church.From the early building phase the modern church has incorporated part of the S wall, which dates to the early 15th century. On the W side was added a late 19th-century loggia, which is roofed with a sloping roof lower than that of the church and possibly replaced an older one. The column of the loggia comes from an earlier building phase of the church. On the W side is raised a rectangular narthex, possibly of the same date as the loggia, which is roofed with a quadruple roof. The present entrance door to the main church is located at the W end of the S wall, while the original door was opened in the middle of the same wall and has been walled today. There is a small conch above the walled door.The church is built of stone with irregularly placed stones. More elaborate construction on the arch with carved stones in the pseudo-isodomic system. On the S wall between the stones are inserted bricks. Brick arched frame is formed above the walled gate. The fresco decoration of the catholicon is confined to the outer front of the S wall and the lower parts of the main church. It is of particular importance, as we distinguish five post-Byzantine phases, the first of which at the end of the 15th century. The first is located in the E part of the outer front of the S wall. The rest continue to the W on the outer front of the same wall and on the lower parts inside the main church.In the initial phase of the frescoes belong the Deisis with the Christ and the Virgin, as well as the frontal St. Nicholas, behind the Virgin. The upper parts of the scene have been repainted. The next phase, which can be dated to the 16th century, involves the half-bodied Christ above the conch of the S wall, who blesses with open arms and two full-length archangels on either side of the conch, who have also been repainted. In the third phase of the painting belongs the enthroned Virgin holding the Child amid two angels, pictured behind her massive wooden throne. The composition is to the right of the entrance door to the church. This layer is precisely dated by a dedicatory inscription bearing the date ZΡKϚ (= 1617/18). The penultimate phase is found only in the interior of the catholicon, in the lower parts of the sanctuary, and on the N and S walls of the main church, where a decorative zone is distinguished. The feet of at least two saints are visible on the N wall, another figure of saint next to the iconostasis on the S wall and to the right of the doorway to the church the lower part of the body of a frontal archangel, who steps on a cloud. Above the door there should have been the inscription, mentioned by Aravantinos, but not preserved today, and bearing the date ΑΨΖ (= 1707). During the late 19th century, the outer conch of the S wall was painted with St. Panteleimon, who is depicted half-bodied and holding a vessel and a scalpel.The building phases of the catholicon and the multiple layers of its decoration make it one of the most important monuments of the Ioannina area, as it locates the oldest known frescoes on the Island and throughout the Ioannina basin. At the same time, after reading of one of the dedicatory inscriptions, it was possible to distinguish more clearly the painting layers and to make more effective use of the older reading, by Aravantinos, of the inscription in the interior of the catholicon.
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