“高加索”和“亚洲”元概念作为俄语作家鲍里斯·奇奇科夫世界民族图景的主导构式

Innayat Aslanbekovna Shormanova
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引用次数: 0

摘要

本文作者认为,“高加索”和“亚洲”这两个元概念是俄语作家鲍里斯·奇奇科夫作品的主要民族文化建构。所述主题的相关性在于,双语作者的艺术世界是世界图景,特别是语言世界图景的重要组成部分之一,反映了作品使用其语言创作的民族的语言文化价值体系,在这种情况下是卡拉恰伊-巴尔卡尔和俄罗斯语言文化。研究发现,B. Chipchikov的民族创作模式的语义核心是由“高加索”和“亚洲”这两个元概念组成的,这些元概念的组成部分非常广泛,实现了各种各样的联想,这些联想反映了作家的心理偏好、认知意识以及他对“本地人”/“陌生人”的模糊态度。这项工作使用了许多科学方法,包括概念、成分、语言认知分析方法(表征元概念和概念)、描述方法(破译研究结果)。所得结果可用于进一步发展现代语言学家感兴趣的双语、翻译和跨文化问题。
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Metaconcepts “Caucasus” and “Asia” as Dominant Constructs of the Ethnic Picture of the World of the Russian-speaking Writer Boris Chipchikov
The author of the article considers the metaconcepts “Caucasus” and “Asia” as the main ethno-cultural constructs of the work of the Russian-speaking writer Boris Chipchikov. The relevance of the stated topic lies in the fact that the artistic world of the bilingual author, being one of the significant fragments of the world picture, in particular the linguistic world picture, reflects the value system of the linguoculture of those ethnic groups in whose languages the works were created, in this case - the Karachay-Balkar and Russian linguocultures. The study revealed that the semantic core of the ethnic model of creativity of B. Chipchikov is composed of the metaconcepts “Caucasus” and “Asia” with a wide range of components that actualize a variety of associations that reflect the mental preferences, cognitive consciousness of the writer, his ambiguous attitude to the “native”/“to a stranger”. The work uses a number of scientific methods, including methods of conceptual, component, linguocognitive analysis (to characterize metaconcepts and concepts), the method of description (to decipher the results of the study). The results obtained can be used in the further development of the problems of bilingualism, translinguism and transculturation, which are of scientific interest to modern linguists.
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审稿时长
12 weeks
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