巴尔干世界的民族性别图景——以沙瓦耶娃的小说《缪拉》和《北极光》为例

Z. A. Uzdenova
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引用次数: 0

摘要

本文基于笔者的假设,即被贬抑的“新时代”苏联社会主义现实主义小说中其实蕴藏着有价值的民族性别材料。本文通过对巴尔干作家米纳尔丹·沙瓦耶娃的两部历史革命小说《缪拉》和《北极光》的分析,从理论上和实验上证实了这一观点。主角Asiyat描绘了一个北高加索类型的解放女性,她挑战父权基础,宣扬“心灵自由”的原则。对民族文化符号“kadar”(命运)、“taukel”(灵魂如山)、“表姐”、“女主角”、“被驱使的男人”、“少女辫”等相关问题给予了很大的关注。在北高加索地区性别转变过程的背景下,还考虑了俄语的文化形成作用。
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Ethnogender Picture of the World of the Balkars: Based on the Novels by M. Shavaeva “Murat” and “Northern lights”
The article is based on the author’s hypothesis that the devalued “new time” Soviet novels of socialist realism actually contain valuable ethno-gender material. This position is theoretically substantiated and experimentally proved by the author as a result of the analysis of two historical and revolutionary novels “Murat” and “Northern Lights” by the Balkarian writer Minaldan Shavaeva. The main character Asiyat portrays the North Caucasian type of an emancipated woman who challenges patriarchal foundations and preaches the principle of “freedom of the heart”. Much attention is paid to related issues related to ethnocultural codes “kadar” (fate) “taukel” (soul is like a mountain), “cousin”, “leading woman”, “driven man”, “maiden braid”. In the context of gender transformation processes in the North Caucasus, the culture-forming role of the Russian language is also considered.
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51
审稿时长
12 weeks
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