克里米亚鞑靼艺术文化与装饰应用艺术形成过程的民族文化基础(下)

Ismet A. Zaatov
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引用次数: 0

摘要

本文试图追溯克里米亚平原、山麓、山区、南部沿海人口在中世纪早期(古突厥语)突厥化过程的过程。它也遵循了那个时期突厥祖先在克里米亚鞑靼人中的艺术文化和装饰艺术的形成,在半岛上出现Kipchaks-Polovtsy-Kuman之前,以及与此过程平行的那些。在半岛古代民族后裔的民族共同体中,克里米亚山地鞑靼人是南岸和山地克里米亚鞑靼人的共同祖先,也是民族文化进程中的希腊-鞑靼人-乌鲁姆人的祖先,与他们形成了一个民族文化整体。
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Ethnocultural basis of the formation process of the Crimean Tatar artistic culture and decorative and applied art (part two)
In the articlean attempt is made to trace the course of the early medieval (Old Turkic) stage of Turkization process of the plain, foothill, mountainous, southern coast population of the Crimea. And also it follows the formation of artistic culture and decorative art of the Turkic ancestors of that period among the Crimean Tatars, preceding the appearance of the Kipchaks-Polovtsy-Kuman on the peninsula, as well as those occurring parallel to this process. Among the ethnic community of the descendants of the ancient autochthons of the peninsula, the Crimean mountainous people of the Tats, the common ancestors of the southern coast and mountain Crimean Tatars, as well as the ancestors of the Greco-Tatars – Urums of ethnocultural processes, who formed an ethnocultural whole with them.
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