全球事件文学中的不安全状态感知。Gehen, Ging, Gegangen vs. Die Flucht

Miodrag Vukcevic
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摘要

本文讨论了目前占主导地位的两个似乎具有共同特征的全球事件。首先,以Jenny Erpenbeck的小说《Gehen, Ging, Gegangen》(2015)为例,从西方文明(尤其是德国文明)的角度来看,我们看到的移民流动问题将会被提出,关于寻求平等和坚持全球文化变革原因的认知差异。论文的第二部分介绍了格哈德·格塞曼的小说《死亡》(1935),纪念第一次世界大战的周年纪念日,它的功能是纪念文学,处理塞尔维亚军队在第一次世界大战中的撤退,以及被驱逐的居民从家园到科孚岛的避难所。本文通过对这两部小说在“难民”和不安全感方面的比较,指出由于历史经验的积累而存在的不同文化形态,并说明这种情况如何影响对上述主题的理解。根据这一想法,该贡献通过描述文化模式及其对中介反映现实的处理,强调了在定义家庭概念方面的其他差异。
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The Perception of a State of Insecurity in Literature on Global Occurrences. Gehen, Ging, Gegangen vs. Die Flucht
The paper discusses two currently dominating global occurrences that appear to have common features. First, backed by the example of Jenny Erpenbeck’s novel Gehen, Ging, Gegangen (2015) that addresses the migration flows we witness, questions will be raised about the differences in perception of the causes for global cultural changes seeking equalization and upholding, viewed from the perspective of Western civilization, and German particularly. In the second part of the paper Gerhard Gesemann’s novel Die Flucht (1935), marking the anniversaries on the occasion of WWI, is being introduced in its function of a remembrance literature dealing with the retreat of the Serbian military in the Great War together with its expelled residents from the homeland to their asylum in Corfu. By comparing these two novels on both “refugee-ness” and state of insecurity, the paper points out different cultural forms existing because of the accumulated historical experiences, and shows how this circumstance influences the understanding of the aforementioned topics. Following this idea, the contribution underlines additional differences in defining the concept of home by describing cultural patterns and their treatment of the mediated reflected reality.
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