视觉艺术在二十世纪和二十一世纪早期音乐中的实践

Asmati Chibalashvili, Polina Kharchenko, Igor Savchuk, V. Sydorenko, Ruslana Bezuhla
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引用次数: 0

摘要

研究美术实践影响下当代音乐艺术的转型过程是音乐文化学和美学的重要问题之一。这项研究是一个话题,因为新的努力旨在理解和安排20世纪和21世纪初音乐和美术中已建立的美学系统和实验的演变,以及它们对将绘画、图形、建筑和多媒体技术引入音乐创作过程的现代实践的影响。本研究的目的是通过整理和概括20世纪至21世纪早期艺术家的经验来确定当前音乐可视化的趋势,这些艺术家使用表达艺术,在他们的音乐作品中将一种艺术综合到另一种艺术中,并确定这些综合思想的背景和实现方法。科学研究表明,综合艺术的发展源于艺术融合和多功能性的倾向。在音乐中应用的美术实践促进了艺术手段和技术的扩展和丰富,并在作品的整体概念中引入了声音和视觉成分的进一步复杂。结论是,艺术家的个人创造力和个人特征,寻求充分传达作品的多维具象性,决定了在音乐中实施美术实践的重大影响。美术实践和音乐视听媒体的演变的进一步研究前景包括在视觉因素在艺术感知中占主导地位的背景下描述技术的发展,以及文化技术对当代音乐艺术的影响的研究。关键词:音乐,视觉化,美术,艺术家,艺术互联,综合,中间性
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Practices of Visual Arts in the Music of the Twentieth and Early Twenty-First Centuries
"The study of transformational processes in contemporary music art under the influence of the fine arts practices is one of the important problems of musical culturology and aesthetics. The study is topical because of the new efforts aimed at understanding and arrangement of the evolution of established aesthetic systems and experiments in music and fine arts in the 20th century and at the beginning of the 21st century, as well as their influence on modern practices of introduction of meaningful elements of painting, graphics, architecture, and multimedia technologies into music creation processes. The aim of the research was to identify current trends in music visualization through the arrangement and generalization of the experience of artists of the 20th — early 21st centuries, who used expressive arts, synthesizing one art into another in their musical compositions, as well as to identify the background of those synthetic ideas and ways to implement them. The scientific research established that the development of synthetic art has its roots in the disposition towards merging arts and versatility. The fine arts practices applied in music has contributed to the expansion and enrichment of artistic means and techniques and has entailed further complication of sound and visual components in the overall concept of the work. It is concluded that the individual creative and personal traits of the artist, who seeks to fully convey the multidimensional figurativeness of the work determine a significant impact on implementing fine arts practices in music. Prospects for further research of the evolution of fine arts practices and audio-visual media in music involve the development of description techniques in the context of the dominance of the visualization factor over music one in artistic perception, as well as the study of the impact of cultural technologization on contemporary music art. Keywords: music, visualization, fine art, artist, interconnection of the arts, synthesis, intermediality "
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