从唱诗班到弦乐四重奏——阿德里安·波普创作的作品中的声音变形

Cristian Bence-Muk
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引用次数: 0

摘要

“在克鲁日作曲家的三首弦乐四重奏中,我们选择了专注于《弦乐四重奏八首小品》(1996),该作品获得了罗马尼亚学院的“乔治·埃内斯库”奖,其思想、主题和戏剧基础是作者Galgenlieder- bagatellen(1987)的合唱系列,歌词来自Christian Morgenstern(1905)的Galgenlieder / Gallows Songs。尽管器乐版本和人声版本之间存在固有的差异,但音乐态度保留了阿德里安·波普对人声作品的偏爱和渴望,这是阿德里安·波普所珍视的,包括通过使用某些人声音素,在第三部小品中使用和弦的音色。八首bagatelles的乐器和音色的改进证实了它们在克鲁日和罗马尼亚最重要的当代作曲家之一的创作中所起的重要作用。关键词:阿德里安·波普,杂烩,版本,转录,改写,当代
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From Choir to String Quartet – Sound Metamorphoses in the Composition of the Work Opt bagatele pentru cvartet de coarde by Adrian Pop
"Among the three string quartets of the Cluj composer, we have chosen to focus on the opus Opt bagatele pentru cvartet de coarde [Eight bagatelles for string quartet] (1996), awarded with the “George Enescu” Prize of the Romanian Academy, and whose ideational, thematic, and dramatic ground is a previous choral cycle of the author, Galgenlieder-Bagatellen (1987), lyrics from Galgenlieder / Gallows Songs by Christian Morgenstern (1905). Notwithstanding the inherent differences between the instrumental and vocal versions, the musical attitudes preserve the predilection and appetence for the vocal composition that Adrian Pop holds so dear, including through the use of certain vocal phonemes, the chromatics of the chordophones in the third bagatelle. The instrumental and chromatic refinement of the eight bagatelles confirms the essential role they play in the creation of one of the most important contemporary composers of Cluj and Romania. Keywords: Adrian Pop, bagatelle, version, transcription, rewriting, contemporary "
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