{"title":"Sándor Veress的四支特兰西瓦尼亚舞曲的音乐风格。“传统”与“更新”的综合","authors":"Miklós Fekete","doi":"10.24193/subbmusica.2023.spiss2.01","DOIUrl":null,"url":null,"abstract":"\"The paper examines the style of Sándor Veress in his first compositional period through the dance suite Four Transylvanian Dances, written for string orchestra. Throughout the musical analysis, the paper points out a few compositional principles and techniques, with which the heritage of classical and folk music can be successfully translated into an innovative and progressive contemporary musical language. Keywords: Sándor Veress, style, compositional techniques, analysis, Four Transylvanian Dances.\"","PeriodicalId":40238,"journal":{"name":"Studia Universitatis Babes-Bolyai Musica","volume":"1 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2023-08-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Musical Style of Sándor Veress’s Four Transylvanian Dances. The Synthesis of ‘Tradition’ and ‘Renewal’\",\"authors\":\"Miklós Fekete\",\"doi\":\"10.24193/subbmusica.2023.spiss2.01\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\\"The paper examines the style of Sándor Veress in his first compositional period through the dance suite Four Transylvanian Dances, written for string orchestra. Throughout the musical analysis, the paper points out a few compositional principles and techniques, with which the heritage of classical and folk music can be successfully translated into an innovative and progressive contemporary musical language. Keywords: Sándor Veress, style, compositional techniques, analysis, Four Transylvanian Dances.\\\"\",\"PeriodicalId\":40238,\"journal\":{\"name\":\"Studia Universitatis Babes-Bolyai Musica\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-08-10\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studia Universitatis Babes-Bolyai Musica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24193/subbmusica.2023.spiss2.01\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studia Universitatis Babes-Bolyai Musica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24193/subbmusica.2023.spiss2.01","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
The Musical Style of Sándor Veress’s Four Transylvanian Dances. The Synthesis of ‘Tradition’ and ‘Renewal’
"The paper examines the style of Sándor Veress in his first compositional period through the dance suite Four Transylvanian Dances, written for string orchestra. Throughout the musical analysis, the paper points out a few compositional principles and techniques, with which the heritage of classical and folk music can be successfully translated into an innovative and progressive contemporary musical language. Keywords: Sándor Veress, style, compositional techniques, analysis, Four Transylvanian Dances."
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