{"title":"PhІlosophІcal和artІstІc ІnterpretatІon的文化方面","authors":"T. Andrushchenko, B. Siuta, A. Savchuk","doi":"10.33930/ed.2019.5007.41(7-9)-1","DOIUrl":null,"url":null,"abstract":"The artistic image is a complex multi-layered entity. It begins with the artist’s idea, which acts as a kind of sketch for the future image. Technical skills and mastery, the artist’s spiritual powers are aimed at realising this idea, but sometimes the idea and its realisation in the material are very far away. An artistic image is an image of the being of an artistic work, a way of thinking in art. In the aesthetic sense, the artistic image is an integral organism in which there is nothing accidental. Therefore, the artistic image is neither an object nor a thought, but a process, not completely concrete in its immersion in the sensual element. The specificity of the cognitive side of the artistic image lies in the fact that in the process of its perception there is a direct vision of truth which does not rely on evidence, there is a diffusion of the artistic and real world.","PeriodicalId":52865,"journal":{"name":"Osvitnii diskurs","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"PHІLOSOPHІCAL AND CULTURAL ASPECTS OF ARTІSTІC ІNTERPRETATІON\",\"authors\":\"T. Andrushchenko, B. Siuta, A. Savchuk\",\"doi\":\"10.33930/ed.2019.5007.41(7-9)-1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The artistic image is a complex multi-layered entity. It begins with the artist’s idea, which acts as a kind of sketch for the future image. Technical skills and mastery, the artist’s spiritual powers are aimed at realising this idea, but sometimes the idea and its realisation in the material are very far away. An artistic image is an image of the being of an artistic work, a way of thinking in art. In the aesthetic sense, the artistic image is an integral organism in which there is nothing accidental. Therefore, the artistic image is neither an object nor a thought, but a process, not completely concrete in its immersion in the sensual element. The specificity of the cognitive side of the artistic image lies in the fact that in the process of its perception there is a direct vision of truth which does not rely on evidence, there is a diffusion of the artistic and real world.\",\"PeriodicalId\":52865,\"journal\":{\"name\":\"Osvitnii diskurs\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Osvitnii diskurs\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.33930/ed.2019.5007.41(7-9)-1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Osvitnii diskurs","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33930/ed.2019.5007.41(7-9)-1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
PHІLOSOPHІCAL AND CULTURAL ASPECTS OF ARTІSTІC ІNTERPRETATІON
The artistic image is a complex multi-layered entity. It begins with the artist’s idea, which acts as a kind of sketch for the future image. Technical skills and mastery, the artist’s spiritual powers are aimed at realising this idea, but sometimes the idea and its realisation in the material are very far away. An artistic image is an image of the being of an artistic work, a way of thinking in art. In the aesthetic sense, the artistic image is an integral organism in which there is nothing accidental. Therefore, the artistic image is neither an object nor a thought, but a process, not completely concrete in its immersion in the sensual element. The specificity of the cognitive side of the artistic image lies in the fact that in the process of its perception there is a direct vision of truth which does not rely on evidence, there is a diffusion of the artistic and real world.