叙事/表演机器:文学与表演的对话

Daniel Almeida Machado, A. Guida
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引用次数: 0

摘要

正如罗兰·巴特(Roland Barthes)在《教训》(1977)和《S/Z》(1970)中所揭示的那样,由于文学的复合性,它长期以来一直是实验和与其他艺术表现形式对话的沃土。此外,鉴于身体作为当代美学主题/讨论核心的不断回归,在很大程度上,文学艺术与行为艺术之间的对话成为可能。在这个意义上,本作品旨在对话高乔作家Angelica Freitas的诗歌,《子宫是拳头的大小》(2017),以及来自帕拉的视觉艺术家Berna Reale的表演,理解文学文本的构成是一种“表演写作”(RAVETTI, 2002),文学与表演之间的对话可以创造一个“表演机器”(AGUILAR;CAMARA, 2017)。
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Narrativas/Máquinas performáticas: um diálogo entre literatura e performance
For its composite character, literature has long been revealed as a fertile ground for experimentation and dialogue with other artistic manifestations, as Roland Barthes reveals in his Lesson (1977) and S/Z (1970). In addition, in view of the incessant return of the body as the core of themes/discussions of contemporary aesthetics, it becomes possible to think, in a great way, in a dialogue between literary art and performance art. In this sense, the present work intends to dialogue poems by the gaucho writer Angelica Freitas, in A uterus is the size of a fist (2017), and performances by the visual artist from Para, Berna Reale, understanding the constitution of the literary text as a “performative writing” (RAVETTI, 2002) and that the dialogue between literature and performance can create a “performatic machine” (AGUILAR;CAMARA, 2017).
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发文量
21
审稿时长
16 weeks
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