{"title":"叙事/表演机器:文学与表演的对话","authors":"Daniel Almeida Machado, A. Guida","doi":"10.5007/2176-8552.2020.E73656","DOIUrl":null,"url":null,"abstract":"For its composite character, literature has long been revealed as a fertile ground for experimentation and dialogue with other artistic manifestations, as Roland Barthes reveals in his Lesson (1977) and S/Z (1970). In addition, in view of the incessant return of the body as the core of themes/discussions of contemporary aesthetics, it becomes possible to think, in a great way, in a dialogue between literary art and performance art. In this sense, the present work intends to dialogue poems by the gaucho writer Angelica Freitas, in A uterus is the size of a fist (2017), and performances by the visual artist from Para, Berna Reale, understanding the constitution of the literary text as a “performative writing” (RAVETTI, 2002) and that the dialogue between literature and performance can create a “performatic machine” (AGUILAR;CAMARA, 2017).","PeriodicalId":31415,"journal":{"name":"Outra Travessia","volume":"2 1","pages":"7-26"},"PeriodicalIF":0.0000,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Narrativas/Máquinas performáticas: um diálogo entre literatura e performance\",\"authors\":\"Daniel Almeida Machado, A. Guida\",\"doi\":\"10.5007/2176-8552.2020.E73656\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"For its composite character, literature has long been revealed as a fertile ground for experimentation and dialogue with other artistic manifestations, as Roland Barthes reveals in his Lesson (1977) and S/Z (1970). In addition, in view of the incessant return of the body as the core of themes/discussions of contemporary aesthetics, it becomes possible to think, in a great way, in a dialogue between literary art and performance art. In this sense, the present work intends to dialogue poems by the gaucho writer Angelica Freitas, in A uterus is the size of a fist (2017), and performances by the visual artist from Para, Berna Reale, understanding the constitution of the literary text as a “performative writing” (RAVETTI, 2002) and that the dialogue between literature and performance can create a “performatic machine” (AGUILAR;CAMARA, 2017).\",\"PeriodicalId\":31415,\"journal\":{\"name\":\"Outra Travessia\",\"volume\":\"2 1\",\"pages\":\"7-26\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Outra Travessia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5007/2176-8552.2020.E73656\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Outra Travessia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5007/2176-8552.2020.E73656","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Narrativas/Máquinas performáticas: um diálogo entre literatura e performance
For its composite character, literature has long been revealed as a fertile ground for experimentation and dialogue with other artistic manifestations, as Roland Barthes reveals in his Lesson (1977) and S/Z (1970). In addition, in view of the incessant return of the body as the core of themes/discussions of contemporary aesthetics, it becomes possible to think, in a great way, in a dialogue between literary art and performance art. In this sense, the present work intends to dialogue poems by the gaucho writer Angelica Freitas, in A uterus is the size of a fist (2017), and performances by the visual artist from Para, Berna Reale, understanding the constitution of the literary text as a “performative writing” (RAVETTI, 2002) and that the dialogue between literature and performance can create a “performatic machine” (AGUILAR;CAMARA, 2017).