Efrafa的垮台与Watership Down:法西斯主义的垮台与音乐

Júlio Aied Passos
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引用次数: 0

摘要

我建议将Efrafa Fall乐队的音乐作为一种政治重塑的力量来分析,不仅从文学创作,而且从和声创作。乐队的作品由三张专辑组成,组成了三部曲,其中反法西斯和革命思想,包括人类的生活方式,是中心。为了反映音乐在政治中的作用,我在阅读柏拉图的《理想国》时,引用了阿甘本在《La musica suprema》中的思想,即音乐是政治的,政治是音乐的。在同样的政治方向上,我们不可能逃避对理查德·亚当斯(Richard Adams)的《沃特沃斯庄园》(watship Down)的解读。在这首歌中,乐队不仅以自己的名字命名,而且还以这部浪漫小说的神话和叙事为基础,来构思他们的作品。
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Fall of Efrafa com Watership Down: A queda do fascismo pela música
I propose to analyze the music from the group Fall of Efrafa as a power of political reformulation, not just from the literary composition, but also at the harmonic composition. The band’s work consists of three albums, which form a trilogy, where the anti-fascist and revolutionary thinking, including the human’s life style, are central. To reflect of the music’s action at the politics, I use Agamben’s thinking in La musica suprema, while reading Plato’s Republic, that music is political and the politics are musical. It’s impossible to escape from a reading, at that same political direction, of the Richard Adams’ Watership Down, in which the band not only takes its name, but also base in the romance’s mythology and narrative to concept their compositions.
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发文量
21
审稿时长
16 weeks
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