氛围和空间在创造社会体验中的重要性

Q3 Arts and Humanities Museologica Brunensia Pub Date : 2019-01-01 DOI:10.5817/MUB2019-1-1
Martin Brandt Djupdræt
{"title":"氛围和空间在创造社会体验中的重要性","authors":"Martin Brandt Djupdræt","doi":"10.5817/MUB2019-1-1","DOIUrl":null,"url":null,"abstract":"ABSTRAKT: The aim of the article is to analyse the influence of atmosphere and reminiscence in the social space of the museum. In the 1990s, museum theorists drew attention to the fact that museum visitors play a part in constructing their museum visits and also focused on the importance of the social context in the museum visit. Using examples of interior at the Danish open-air museum Den Gamle By dated to 1950s and 1970s the article analyse how museum space and communications support both the visitors’ experience of their own history and experiences, and the visit to the museum as a social experience. Both can help to strengthen the visitor’s own identity and the learning process which can take place when visitors share their knowledge and experiences. Důležitost atmosféry a prostoru pro vytvoření společenských zážitků Cílem článku je analyzovat vliv atmosféry a vzpomínek ve společenském prostoru muzea. V devadesátých letech muzejní teoretikové poukazovali na skutečnost, že návštěvníci muzea mají podíl na vyznění návštěvy muzea a také se zaměřili na důležitost společenského kontextu při návštěvě muzea. S využitím příkladu dánského skanzenu Den Gamle By s datováním do padesátých a sedmdesátých let článek analyzuje, jak muzejní prostor a komunikace podporují jak návštěvnický zážitek na základě vlastní historie a zkušeností, tak https://doi.org/10.5817/MuB2019-1-1 • a forum where visitors’ social identity can be shown, and • a forum where the museum’s stories and contents are discussed. The social museum experience meets both personal and social needs. This aspect of the use of museums is worth considering in the light of how it can be supported in the museum spaces and communications. It is also worth bearing in mind that a normal visit to a museum is in fact a shared social experience. People rarely visit museums alone. Numerous surveys of how visitors use museums have documented that visiting a museum is a joint experience with other people.1 This article focuses on the museum as a social space, and will analyse 1 One of these surveys has collected figures nationwide since 2009 from the majority of Danish museums. The percentage for how many visit a museum in company with others varies from year to year, but lies between 91 % and 95 %. LUNDGAARD, Ida Brændholt and Anna Maria FOLDGAST. National brugerundersøgelse 2011. Copenhagen: Kulturstyrelsen, 2012, p. 28; JENSEN, Jacob Thorek and Ida Brændholt LUNDGAARD. MUSEER – Borgere og Bæredygtige Løsninger [online]. København: Kulturstyrelsen, 2015, p. 68 [accessed 2019-01-20]. Available from www: ; Den nationale brugerundersøgelse for museer. Årsrapport 2017 [online]. København: Slotsog Kulturstyrelsen, September 2018, p. 6 [accessed 2019-01-20]. Available from www: . The same tendencies have also been registered in the USA, the UK, Australia and elsewhere: DIERKING, Lynn D. Museum as social learning. In LUNDGAARD, Ida Brændholt and Jacob Thorek JENSEN. Museums: social learning spaces and knowledge producing processes. Copenhagen: Kulturstyrelsen – Danish Agency for Culture, 2013, p. 202. i návštěvu muzea jako společenský zážitek. Obojí může napomoci k posílení návštěvníkovy vlastní identity a procesu poznání, ke kterému může dojít, když návštěvníci sdílejí svoje znalosti a zážitky. KEYWORDS/KLÍČOVÁ SLOVA: authenticity – remembrance – dementia – social context – personal context autenticita – vzpomínání – demence – společenský kontext – osobní kontext Museums are stories. They are art, science, history, things that happened once upon a time, and traces of life. They are content. An aspect that is just as important, however, is the visitors’ own needs. The museum is a space that people choose in the belief that the museum can fulfil the individual visitor’s personal and social needs. Museums can be used to tell people about who they are, and to show others their values and interests. Confirmation of one’s own identity happens when there are others present, and experiences from the museum are shared. This type of use of the museum is thus linked to the people you visit the museum with, or to the people you talk to about the visit afterwards. In this way there are several aspects to a shared social experience at a museum. It can be • a forum where basal social needs are met;","PeriodicalId":36780,"journal":{"name":"Museologica Brunensia","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The importance of atmosphere and spatiality in creating social experiences\",\"authors\":\"Martin Brandt Djupdræt\",\"doi\":\"10.5817/MUB2019-1-1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRAKT: The aim of the article is to analyse the influence of atmosphere and reminiscence in the social space of the museum. In the 1990s, museum theorists drew attention to the fact that museum visitors play a part in constructing their museum visits and also focused on the importance of the social context in the museum visit. Using examples of interior at the Danish open-air museum Den Gamle By dated to 1950s and 1970s the article analyse how museum space and communications support both the visitors’ experience of their own history and experiences, and the visit to the museum as a social experience. Both can help to strengthen the visitor’s own identity and the learning process which can take place when visitors share their knowledge and experiences. Důležitost atmosféry a prostoru pro vytvoření společenských zážitků Cílem článku je analyzovat vliv atmosféry a vzpomínek ve společenském prostoru muzea. V devadesátých letech muzejní teoretikové poukazovali na skutečnost, že návštěvníci muzea mají podíl na vyznění návštěvy muzea a také se zaměřili na důležitost společenského kontextu při návštěvě muzea. S využitím příkladu dánského skanzenu Den Gamle By s datováním do padesátých a sedmdesátých let článek analyzuje, jak muzejní prostor a komunikace podporují jak návštěvnický zážitek na základě vlastní historie a zkušeností, tak https://doi.org/10.5817/MuB2019-1-1 • a forum where visitors’ social identity can be shown, and • a forum where the museum’s stories and contents are discussed. The social museum experience meets both personal and social needs. This aspect of the use of museums is worth considering in the light of how it can be supported in the museum spaces and communications. It is also worth bearing in mind that a normal visit to a museum is in fact a shared social experience. People rarely visit museums alone. Numerous surveys of how visitors use museums have documented that visiting a museum is a joint experience with other people.1 This article focuses on the museum as a social space, and will analyse 1 One of these surveys has collected figures nationwide since 2009 from the majority of Danish museums. The percentage for how many visit a museum in company with others varies from year to year, but lies between 91 % and 95 %. LUNDGAARD, Ida Brændholt and Anna Maria FOLDGAST. National brugerundersøgelse 2011. Copenhagen: Kulturstyrelsen, 2012, p. 28; JENSEN, Jacob Thorek and Ida Brændholt LUNDGAARD. MUSEER – Borgere og Bæredygtige Løsninger [online]. København: Kulturstyrelsen, 2015, p. 68 [accessed 2019-01-20]. Available from www: ; Den nationale brugerundersøgelse for museer. Årsrapport 2017 [online]. København: Slotsog Kulturstyrelsen, September 2018, p. 6 [accessed 2019-01-20]. Available from www: . The same tendencies have also been registered in the USA, the UK, Australia and elsewhere: DIERKING, Lynn D. Museum as social learning. In LUNDGAARD, Ida Brændholt and Jacob Thorek JENSEN. Museums: social learning spaces and knowledge producing processes. Copenhagen: Kulturstyrelsen – Danish Agency for Culture, 2013, p. 202. i návštěvu muzea jako společenský zážitek. Obojí může napomoci k posílení návštěvníkovy vlastní identity a procesu poznání, ke kterému může dojít, když návštěvníci sdílejí svoje znalosti a zážitky. KEYWORDS/KLÍČOVÁ SLOVA: authenticity – remembrance – dementia – social context – personal context autenticita – vzpomínání – demence – společenský kontext – osobní kontext Museums are stories. They are art, science, history, things that happened once upon a time, and traces of life. They are content. An aspect that is just as important, however, is the visitors’ own needs. The museum is a space that people choose in the belief that the museum can fulfil the individual visitor’s personal and social needs. Museums can be used to tell people about who they are, and to show others their values and interests. Confirmation of one’s own identity happens when there are others present, and experiences from the museum are shared. This type of use of the museum is thus linked to the people you visit the museum with, or to the people you talk to about the visit afterwards. In this way there are several aspects to a shared social experience at a museum. It can be • a forum where basal social needs are met;\",\"PeriodicalId\":36780,\"journal\":{\"name\":\"Museologica Brunensia\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Museologica Brunensia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5817/MUB2019-1-1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Museologica Brunensia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5817/MUB2019-1-1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

摘要

摘要:本文旨在分析氛围和怀旧对博物馆社会空间的影响。20世纪90年代,博物馆理论家们注意到博物馆游客在构建博物馆参观中发挥着重要作用,并关注社会背景在博物馆参观中的重要性。文章以20世纪50年代和70年代丹麦露天博物馆Den Gamle By的内部为例,分析了博物馆的空间和交流如何支持游客对自己历史和经历的体验,以及将博物馆参观作为一种社会体验。两者都有助于加强访问者自身的身份,以及当访问者分享他们的知识和经验时可能发生的学习过程。氛围和空间对创造社会体验的重要性本文旨在分析氛围和记忆对博物馆社会空间的影响。20世纪90年代,博物馆理论家指出,博物馆游客对博物馆参观的信息做出了贡献,并在参观博物馆时关注社会背景的重要性。本文以丹麦露天博物馆Den Gamle By为例,追溯到20世纪50年代和70年代,分析了博物馆的空间和交流如何基于游客自身的历史和经验来支持游客体验,以及https://doi.org/10.5817/MuB2019-1-1•一个可以展示游客社会身份的论坛,以及•一个讨论博物馆故事和内容的论坛。社会博物馆体验满足了个人和社会需求。博物馆使用的这一方面值得考虑,因为它可以在博物馆空间和通信中得到支持。同样值得记住的是,正常参观博物馆实际上是一种共同的社会体验。人们很少单独参观博物馆。大量关于游客如何使用博物馆的调查表明,参观博物馆是与其他人的共同体验。1本文将重点关注博物馆作为一个社会空间,并将进行分析。1其中一项调查收集了自2009年以来丹麦大多数博物馆在全国范围内的数据。与他人一起参观博物馆的人数比例每年都有所不同,但在91%至95%之间。LUNDGAARD、Ida Brændholt和Anna Maria FOLDGAST。2011年国家布鲁格安德斯。哥本哈根:Kulturstyrelsen,2012年,第28页;JENSEN、Jacob Thorek和Ida Brændholt Lundgaard。音乐-Borgere og Bæredygtige Løsninger[在线]。København:Kulturstyrelsen,2015年,第68页[查阅日期:2019-01-20]。网址:;国家博物馆。Årsconcert 2017[在线]。København:Slotsog Kulturstyrelsen,2018年9月,第6页[查阅日期:2019-01-20]。网址:。同样的趋势也在美国、英国、澳大利亚和其他地方出现:DIERKING、Lynn D.Museum作为社会学习。在伦德加德,Ida Brændholt和Jacob Thorek JENSEN。博物馆:社会学习空间和知识生产过程。哥本哈根:Kulturstyrelsen–丹麦文化署,2013年,第202页。参观博物馆是一种社会体验。两者都有助于加强访问者自身的身份,以及当访问者分享他们的知识和经验时可能发生的知识过程。关键词/关键词:真实性–记忆–痴呆症–社会背景–个人背景真实性–记忆力–痴呆症-社会背景–私人背景博物馆就是故事。它们是艺术、科学、历史、曾几何时发生的事情和生命的痕迹。他们很满足。然而,同样重要的是游客自身的需求。博物馆是人们选择的一个空间,相信博物馆可以满足个人游客的个人和社会需求。博物馆可以用来告诉人们他们是谁,并向他人展示他们的价值观和兴趣。当有其他人在场时,就会确认自己的身份,并分享博物馆的经验。因此,博物馆的这种使用方式与你一起参观博物馆的人有关,或者与你之后谈论参观的人有关。通过这种方式,博物馆的共同社会体验有几个方面。•满足基本社会需求的论坛;
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
The importance of atmosphere and spatiality in creating social experiences
ABSTRAKT: The aim of the article is to analyse the influence of atmosphere and reminiscence in the social space of the museum. In the 1990s, museum theorists drew attention to the fact that museum visitors play a part in constructing their museum visits and also focused on the importance of the social context in the museum visit. Using examples of interior at the Danish open-air museum Den Gamle By dated to 1950s and 1970s the article analyse how museum space and communications support both the visitors’ experience of their own history and experiences, and the visit to the museum as a social experience. Both can help to strengthen the visitor’s own identity and the learning process which can take place when visitors share their knowledge and experiences. Důležitost atmosféry a prostoru pro vytvoření společenských zážitků Cílem článku je analyzovat vliv atmosféry a vzpomínek ve společenském prostoru muzea. V devadesátých letech muzejní teoretikové poukazovali na skutečnost, že návštěvníci muzea mají podíl na vyznění návštěvy muzea a také se zaměřili na důležitost společenského kontextu při návštěvě muzea. S využitím příkladu dánského skanzenu Den Gamle By s datováním do padesátých a sedmdesátých let článek analyzuje, jak muzejní prostor a komunikace podporují jak návštěvnický zážitek na základě vlastní historie a zkušeností, tak https://doi.org/10.5817/MuB2019-1-1 • a forum where visitors’ social identity can be shown, and • a forum where the museum’s stories and contents are discussed. The social museum experience meets both personal and social needs. This aspect of the use of museums is worth considering in the light of how it can be supported in the museum spaces and communications. It is also worth bearing in mind that a normal visit to a museum is in fact a shared social experience. People rarely visit museums alone. Numerous surveys of how visitors use museums have documented that visiting a museum is a joint experience with other people.1 This article focuses on the museum as a social space, and will analyse 1 One of these surveys has collected figures nationwide since 2009 from the majority of Danish museums. The percentage for how many visit a museum in company with others varies from year to year, but lies between 91 % and 95 %. LUNDGAARD, Ida Brændholt and Anna Maria FOLDGAST. National brugerundersøgelse 2011. Copenhagen: Kulturstyrelsen, 2012, p. 28; JENSEN, Jacob Thorek and Ida Brændholt LUNDGAARD. MUSEER – Borgere og Bæredygtige Løsninger [online]. København: Kulturstyrelsen, 2015, p. 68 [accessed 2019-01-20]. Available from www: ; Den nationale brugerundersøgelse for museer. Årsrapport 2017 [online]. København: Slotsog Kulturstyrelsen, September 2018, p. 6 [accessed 2019-01-20]. Available from www: . The same tendencies have also been registered in the USA, the UK, Australia and elsewhere: DIERKING, Lynn D. Museum as social learning. In LUNDGAARD, Ida Brændholt and Jacob Thorek JENSEN. Museums: social learning spaces and knowledge producing processes. Copenhagen: Kulturstyrelsen – Danish Agency for Culture, 2013, p. 202. i návštěvu muzea jako společenský zážitek. Obojí může napomoci k posílení návštěvníkovy vlastní identity a procesu poznání, ke kterému může dojít, když návštěvníci sdílejí svoje znalosti a zážitky. KEYWORDS/KLÍČOVÁ SLOVA: authenticity – remembrance – dementia – social context – personal context autenticita – vzpomínání – demence – společenský kontext – osobní kontext Museums are stories. They are art, science, history, things that happened once upon a time, and traces of life. They are content. An aspect that is just as important, however, is the visitors’ own needs. The museum is a space that people choose in the belief that the museum can fulfil the individual visitor’s personal and social needs. Museums can be used to tell people about who they are, and to show others their values and interests. Confirmation of one’s own identity happens when there are others present, and experiences from the museum are shared. This type of use of the museum is thus linked to the people you visit the museum with, or to the people you talk to about the visit afterwards. In this way there are several aspects to a shared social experience at a museum. It can be • a forum where basal social needs are met;
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Museologica Brunensia
Museologica Brunensia Arts and Humanities-Museology
CiteScore
0.20
自引率
0.00%
发文量
0
期刊最新文献
The relationship between Slovak museums and heritage authorities in the 19th and early 20th centuries Hudební muzeum a hudební knihovna : typologická polarizace Zprostředkování exponátů sakrálního charakteru a specifika církevních muzeí Englišové myšlienkové poriadky a muzeológia Dokumentace a prezentace zaniklých sídel v českých zemích (na příkladu výstavy Zaniklá sídla Moravy a Slezska)
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1