{"title":"版本标题:广告与语用学之间","authors":"Irina F. Gnyusova","doi":"10.17223/23062061/30/8","DOIUrl":null,"url":null,"abstract":"The title, as one of the most important elements of any publication, has a dual nature. The aim of the article is to evaluate the correlation of advertising and pragmatic functions in the titles of modern mass literature publications. The study was conducted on the basis of an experiment. Thirty-four titles of fiction publications were the material for it; these are books by the Eksmo Publishing House, published in the first half of February 2022. Respondents were asked to choose no more than five titles of books that they would like to read. After that, they had to briefly describe what they thought each selected book was about. Eighty-five people took part in the survey. Successful book titles (chosen by more than 10% of respondents) and unsuccessful ones (chosen by fewer than 5% of respondents) were taken for further research. All of them were divided into three groups - depending on how accurately the respondents were able to determine the subject, genre or content of the book. The study confirmed the hypothesis that the title of the book should clearly indicate to the potential reader what kind of work awaits them. In some cases, lexical “marking” of a genre orientation is enough for this. According to these signs, the titles Soul Catchers (“souls”: fantasy, mysticism), Looking at the Sea (“sea”: romance), People Are Stronger Than Walls (heroic pathos of comparison) and even Show of Family Secrets (“secrets”: detective, thriller) were correctly interpreted. On the contrary, the title Thrice Risen was associated with mysticism, philosophy, although the genre of the work turned out to be different. The pragmatic component can also be provided by a capacious reflection of the subject matter of the work. On this basis, the problems of books with the titles When Mom is You (“Mom”: the theme of motherhood and relationships with children) and partly Chronicles of the Asylum (“Asylum”: the theme of borderline states of the psyche) were correctly “read”. But the title A Career Requires Sacrifice can be considered unfortunate, since it evoked clear (but false) associations: the difficulty of balancing a career and personal or family life. The book title can also be associated with the text by its style. Thus, the title Looking at the Sea seemed “soft” and “lyrical” to the respondents, which corresponds to the idea of a sentimental novel. In the course of the experiment, the most serious errors of publishers when approving the title were also revealed. One of them is the choice of a title similar to another well-known one (The Mentalist, The Ice Heart). Another common problem is the ambiguity of the title when it includes completely unknown words (The Pursuit of the Pankera) or using complex metaphors (Windows in the Clouds, Rapid Jelly). It is proved that a successful title should be informative and should clearly indicate the genre, thematic focus, problems and style of the work. It also should not contain excessive pathos, should not be stereotyped and should be original enough. The author declares no conflicts of interests.","PeriodicalId":40676,"journal":{"name":"Tekst Kniga Knigoizdanie-Text Book Publishing","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Titles of editions: Between advertising and pragmatics\",\"authors\":\"Irina F. 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On this basis, the problems of books with the titles When Mom is You (“Mom”: the theme of motherhood and relationships with children) and partly Chronicles of the Asylum (“Asylum”: the theme of borderline states of the psyche) were correctly “read”. But the title A Career Requires Sacrifice can be considered unfortunate, since it evoked clear (but false) associations: the difficulty of balancing a career and personal or family life. The book title can also be associated with the text by its style. Thus, the title Looking at the Sea seemed “soft” and “lyrical” to the respondents, which corresponds to the idea of a sentimental novel. In the course of the experiment, the most serious errors of publishers when approving the title were also revealed. One of them is the choice of a title similar to another well-known one (The Mentalist, The Ice Heart). 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引用次数: 0
摘要
标题作为出版物最重要的组成部分之一,具有双重性。本文旨在探讨现代大众文学出版物标题中广告与语用功能的关系。这项研究是在实验的基础上进行的。34种小说出版物是它的素材;这些书是由Eksmo出版社出版的,于2022年2月上半月出版。受访者被要求选择不超过五本他们想读的书。在那之后,他们必须简要地描述他们所选择的每本书的内容。85人参与了这项调查。成功的书名(超过10%的受访者选择)和不成功的书名(少于5%的受访者选择)被进一步研究。根据受访者对书的主题、体裁和内容的判断准确度,他们被分为三组。这项研究证实了一个假设,即书名应该清楚地向潜在读者表明,他们将会看到什么样的作品。在某些情况下,针对类型的词汇“标记”就足够了。根据这些迹象,《灵魂捕手》(“灵魂”:幻想、神秘主义)、《望海》(“海”:浪漫)、《人比墙强》(对比的英雄悲怆),甚至《家庭秘密秀》(“秘密”:侦探、惊悚)的标题都得到了正确的解读。相反,《三次复活》的名字与神秘主义、哲学联系在一起,虽然作品的类型有所不同。语用成分也可以通过对作品主题的广泛反映来提供。在此基础上,《当妈妈是你》(“妈妈”:母性和与孩子的关系的主题)和部分《疯人院编年史》(“疯人院”:精神边缘状态的主题)等书的问题得到了正确的“解读”。但《事业需要牺牲》这个标题可能被认为是不幸的,因为它唤起了明确(但错误)的联想:平衡事业与个人或家庭生活的困难。书名也可以通过其风格与文本联系起来。因此,在被调查者看来,《望海》的标题是“柔软的”和“抒情的”,这与感伤小说的理念相对应。在实验过程中,还揭示了出版商在批准书名时最严重的错误。其中之一就是选择了与另一部著名电影(《超感者》、《冰心》)相似的片名。另一个常见的问题是标题的模糊性,当它包含完全未知的单词(《the Pursuit of the Pankera》)或使用复杂的隐喻(《Windows in the Clouds》、《Rapid Jelly》)时。事实证明,一个成功的标题应该是信息性的,应该清楚地表明作品的类型,主题焦点,问题和风格。它也不应该包含过多的悲情,不应该模式化,应该足够原创。作者声明没有利益冲突。
Titles of editions: Between advertising and pragmatics
The title, as one of the most important elements of any publication, has a dual nature. The aim of the article is to evaluate the correlation of advertising and pragmatic functions in the titles of modern mass literature publications. The study was conducted on the basis of an experiment. Thirty-four titles of fiction publications were the material for it; these are books by the Eksmo Publishing House, published in the first half of February 2022. Respondents were asked to choose no more than five titles of books that they would like to read. After that, they had to briefly describe what they thought each selected book was about. Eighty-five people took part in the survey. Successful book titles (chosen by more than 10% of respondents) and unsuccessful ones (chosen by fewer than 5% of respondents) were taken for further research. All of them were divided into three groups - depending on how accurately the respondents were able to determine the subject, genre or content of the book. The study confirmed the hypothesis that the title of the book should clearly indicate to the potential reader what kind of work awaits them. In some cases, lexical “marking” of a genre orientation is enough for this. According to these signs, the titles Soul Catchers (“souls”: fantasy, mysticism), Looking at the Sea (“sea”: romance), People Are Stronger Than Walls (heroic pathos of comparison) and even Show of Family Secrets (“secrets”: detective, thriller) were correctly interpreted. On the contrary, the title Thrice Risen was associated with mysticism, philosophy, although the genre of the work turned out to be different. The pragmatic component can also be provided by a capacious reflection of the subject matter of the work. On this basis, the problems of books with the titles When Mom is You (“Mom”: the theme of motherhood and relationships with children) and partly Chronicles of the Asylum (“Asylum”: the theme of borderline states of the psyche) were correctly “read”. But the title A Career Requires Sacrifice can be considered unfortunate, since it evoked clear (but false) associations: the difficulty of balancing a career and personal or family life. The book title can also be associated with the text by its style. Thus, the title Looking at the Sea seemed “soft” and “lyrical” to the respondents, which corresponds to the idea of a sentimental novel. In the course of the experiment, the most serious errors of publishers when approving the title were also revealed. One of them is the choice of a title similar to another well-known one (The Mentalist, The Ice Heart). Another common problem is the ambiguity of the title when it includes completely unknown words (The Pursuit of the Pankera) or using complex metaphors (Windows in the Clouds, Rapid Jelly). It is proved that a successful title should be informative and should clearly indicate the genre, thematic focus, problems and style of the work. It also should not contain excessive pathos, should not be stereotyped and should be original enough. The author declares no conflicts of interests.