{"title":"重新定义# your average穆斯林女性:社交媒体上的穆斯林女性数字行动主义","authors":"Inaash Islam","doi":"10.1386/jammr_00004_1","DOIUrl":null,"url":null,"abstract":"Orientalist discourses have largely shaped how Muslim women have come to be represented in western visual media as oppressed, subjugated or foreign. However, with the advent of social media platforms, Muslim women are utilizing social media spaces to rearticulate the controlling images\n promulgated through orientalist narratives. This article examines the complex relationship visual media shares with Muslim women and demonstrates that the lens of orientalism continues to structure the imaginaries that shape visual representations of Muslim women in art, news and film. This\n article addresses how visual platforms and social media spaces such as YouTube are being utilized by Muslim women to undertake digital activism that seeks to subvert essentialist narratives. At the centre of this discussion is YouTuber Dina Tokio’s (2017) documentary, titled ‘#YourAverageMuslim’,\n which tackles western preconceived notions, and instead offers a redefined version of the ‘Muslim woman’ predicated on resisting three narratives: (1) Muslim-Woman-As-Oppressed, (2) Muslim-Woman-As-Subjugated and (3) Muslim-Woman-As-Foreign-Other. This documentary clearly demonstrates\n how Muslim women are using social media platforms in specific ways to shape the discourses around Muslim women. In doing so they are demonstrating their agentic capabilities, taking control of their representations, and speaking for themselves instead of being spoken for by others.","PeriodicalId":36098,"journal":{"name":"Journal of Arab and Muslim Media Research","volume":"7 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2019-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"11","resultStr":"{\"title\":\"Redefining #YourAverageMuslim woman: Muslim female digital activism on social media\",\"authors\":\"Inaash Islam\",\"doi\":\"10.1386/jammr_00004_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Orientalist discourses have largely shaped how Muslim women have come to be represented in western visual media as oppressed, subjugated or foreign. However, with the advent of social media platforms, Muslim women are utilizing social media spaces to rearticulate the controlling images\\n promulgated through orientalist narratives. This article examines the complex relationship visual media shares with Muslim women and demonstrates that the lens of orientalism continues to structure the imaginaries that shape visual representations of Muslim women in art, news and film. This\\n article addresses how visual platforms and social media spaces such as YouTube are being utilized by Muslim women to undertake digital activism that seeks to subvert essentialist narratives. At the centre of this discussion is YouTuber Dina Tokio’s (2017) documentary, titled ‘#YourAverageMuslim’,\\n which tackles western preconceived notions, and instead offers a redefined version of the ‘Muslim woman’ predicated on resisting three narratives: (1) Muslim-Woman-As-Oppressed, (2) Muslim-Woman-As-Subjugated and (3) Muslim-Woman-As-Foreign-Other. This documentary clearly demonstrates\\n how Muslim women are using social media platforms in specific ways to shape the discourses around Muslim women. In doing so they are demonstrating their agentic capabilities, taking control of their representations, and speaking for themselves instead of being spoken for by others.\",\"PeriodicalId\":36098,\"journal\":{\"name\":\"Journal of Arab and Muslim Media Research\",\"volume\":\"7 1\",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2019-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"11\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Arab and Muslim Media Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jammr_00004_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Arab and Muslim Media Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jammr_00004_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"COMMUNICATION","Score":null,"Total":0}
Redefining #YourAverageMuslim woman: Muslim female digital activism on social media
Orientalist discourses have largely shaped how Muslim women have come to be represented in western visual media as oppressed, subjugated or foreign. However, with the advent of social media platforms, Muslim women are utilizing social media spaces to rearticulate the controlling images
promulgated through orientalist narratives. This article examines the complex relationship visual media shares with Muslim women and demonstrates that the lens of orientalism continues to structure the imaginaries that shape visual representations of Muslim women in art, news and film. This
article addresses how visual platforms and social media spaces such as YouTube are being utilized by Muslim women to undertake digital activism that seeks to subvert essentialist narratives. At the centre of this discussion is YouTuber Dina Tokio’s (2017) documentary, titled ‘#YourAverageMuslim’,
which tackles western preconceived notions, and instead offers a redefined version of the ‘Muslim woman’ predicated on resisting three narratives: (1) Muslim-Woman-As-Oppressed, (2) Muslim-Woman-As-Subjugated and (3) Muslim-Woman-As-Foreign-Other. This documentary clearly demonstrates
how Muslim women are using social media platforms in specific ways to shape the discourses around Muslim women. In doing so they are demonstrating their agentic capabilities, taking control of their representations, and speaking for themselves instead of being spoken for by others.