Religion in Rebellions, Revolutions, and Social Movements

of ‘just’ orthodoxies? However, in contrast to all fears and challenges of ‘negative’ anthropology, ‘Pinelandia’ remains positive, Stone constructs her being in the field as a Baudlairian aesthetic enterprise, the beauty and reason of being in poetry in a shattering word. Here, her well-developed mode of anthropological field poetry needs to be mentioned not as a form of escapism, but rather of deepening and digging the big things of anthropological encounter.