{"title":"前线的创造性抵抗——冲突地区旅游发展的机遇与困境","authors":"André Kuntz","doi":"10.3727/194341419X15554157596164","DOIUrl":null,"url":null,"abstract":"Tourism development in a conflict zone poses challenges. The structural violence of occupation poses real threats to the existence of the village. Battir's inhabitants can build on a tradition of non-violent, creative resistance. Hasan Mustafa initiated creative resistance in 1948 and\n saved the village from destruction. In retelling the motivations, facts, and events in Battir 1948 a tour guide speaks also about creativity, community, and opportunities for change. In terms of economic dynamics of Holy Land tourism Battir's inhabitants are excluded by Israeli marketing,\n while Palestinian marketing still needs profiling and fresh ideas. But meanwhile other dynamics appear in Battir: Inhabitants have started to react to the UNESCO World Heritage status of village lands and traditional agriculture, and offer services to visitors. Local products are sold and\n the beauty of the village can be enjoyed by sitting down with a cup of coffee. Because tourism is new to the village, the cultural dynamics unfolding could be influenced by the inhabitants if tourism would be formed consciously beyond the marketing for more visitors. The amazing story of Hasan\n Mustafa is an asset for a touristic Battir experience in the framework of a conflict-sensitive tourism. Is the immaterial inheritance, especially the stories about creative resistance, part of the future tourism product, an add-on to UNESCO World Heritage status? The stories still have to\n be put together to form a reflected narrative that motivates to recognize one's own role in the conflict and the perspective towards change. Therefore, Palestinian tour guides can play a decisive role. This role and the impact of a reflected narrative cannot be underestimated. It is possible\n to contribute to an awareness of visitors beyond mere contact at a touristic site. Battir can be a sample for a tourism development that serves the village as a whole, if methods and ideas of conflict-sensitive tourism are applied. Inclusion of all stakeholders, a carefully developed strategy,\n and income for the community and the local government are important to maintain the UNESCO World Heritage landscape. Information about threats and the structure of violence need to be part of the touristic products. With a guided learning experience Battir can continue the inheritance of creative\n resistance.","PeriodicalId":41836,"journal":{"name":"TOURISM CULTURE & COMMUNICATION","volume":"6 1","pages":"265-276"},"PeriodicalIF":0.5000,"publicationDate":"2019-11-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Battir: Creative Resistance in a Front Line—Opportunities and Dilemmas of Tourism Development in a Conflict Zone\",\"authors\":\"André Kuntz\",\"doi\":\"10.3727/194341419X15554157596164\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Tourism development in a conflict zone poses challenges. The structural violence of occupation poses real threats to the existence of the village. Battir's inhabitants can build on a tradition of non-violent, creative resistance. Hasan Mustafa initiated creative resistance in 1948 and\\n saved the village from destruction. In retelling the motivations, facts, and events in Battir 1948 a tour guide speaks also about creativity, community, and opportunities for change. In terms of economic dynamics of Holy Land tourism Battir's inhabitants are excluded by Israeli marketing,\\n while Palestinian marketing still needs profiling and fresh ideas. But meanwhile other dynamics appear in Battir: Inhabitants have started to react to the UNESCO World Heritage status of village lands and traditional agriculture, and offer services to visitors. Local products are sold and\\n the beauty of the village can be enjoyed by sitting down with a cup of coffee. Because tourism is new to the village, the cultural dynamics unfolding could be influenced by the inhabitants if tourism would be formed consciously beyond the marketing for more visitors. The amazing story of Hasan\\n Mustafa is an asset for a touristic Battir experience in the framework of a conflict-sensitive tourism. Is the immaterial inheritance, especially the stories about creative resistance, part of the future tourism product, an add-on to UNESCO World Heritage status? The stories still have to\\n be put together to form a reflected narrative that motivates to recognize one's own role in the conflict and the perspective towards change. Therefore, Palestinian tour guides can play a decisive role. This role and the impact of a reflected narrative cannot be underestimated. It is possible\\n to contribute to an awareness of visitors beyond mere contact at a touristic site. Battir can be a sample for a tourism development that serves the village as a whole, if methods and ideas of conflict-sensitive tourism are applied. Inclusion of all stakeholders, a carefully developed strategy,\\n and income for the community and the local government are important to maintain the UNESCO World Heritage landscape. Information about threats and the structure of violence need to be part of the touristic products. 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Battir: Creative Resistance in a Front Line—Opportunities and Dilemmas of Tourism Development in a Conflict Zone
Tourism development in a conflict zone poses challenges. The structural violence of occupation poses real threats to the existence of the village. Battir's inhabitants can build on a tradition of non-violent, creative resistance. Hasan Mustafa initiated creative resistance in 1948 and
saved the village from destruction. In retelling the motivations, facts, and events in Battir 1948 a tour guide speaks also about creativity, community, and opportunities for change. In terms of economic dynamics of Holy Land tourism Battir's inhabitants are excluded by Israeli marketing,
while Palestinian marketing still needs profiling and fresh ideas. But meanwhile other dynamics appear in Battir: Inhabitants have started to react to the UNESCO World Heritage status of village lands and traditional agriculture, and offer services to visitors. Local products are sold and
the beauty of the village can be enjoyed by sitting down with a cup of coffee. Because tourism is new to the village, the cultural dynamics unfolding could be influenced by the inhabitants if tourism would be formed consciously beyond the marketing for more visitors. The amazing story of Hasan
Mustafa is an asset for a touristic Battir experience in the framework of a conflict-sensitive tourism. Is the immaterial inheritance, especially the stories about creative resistance, part of the future tourism product, an add-on to UNESCO World Heritage status? The stories still have to
be put together to form a reflected narrative that motivates to recognize one's own role in the conflict and the perspective towards change. Therefore, Palestinian tour guides can play a decisive role. This role and the impact of a reflected narrative cannot be underestimated. It is possible
to contribute to an awareness of visitors beyond mere contact at a touristic site. Battir can be a sample for a tourism development that serves the village as a whole, if methods and ideas of conflict-sensitive tourism are applied. Inclusion of all stakeholders, a carefully developed strategy,
and income for the community and the local government are important to maintain the UNESCO World Heritage landscape. Information about threats and the structure of violence need to be part of the touristic products. With a guided learning experience Battir can continue the inheritance of creative
resistance.
期刊介绍:
Tourism, Culture & Communication is the longest established international refereed journal that is dedicated to the cultural dimensions of tourism. The editors adopt a purposefully broad scope that welcomes readers and contributors from diverse disciplines and who are receptive in a wide variety of research methods. While potential cultural issues and identities are unlimited, there is a requirement that their consideration should relate to the tourism and hospitality domain. Tourism, Culture & Communication provides readers with multidisciplinary perspectives that consider topics and fields extending beyond national and indigenous cultures as they are traditionally understood and recognized. Coverage may extend to issues such as cultural dimensions of the United Nations’ Sustainable Development Goals (SDGs), gender and tourism, managing tourists with disabilities, sport tourism, or age-specific tourism. Contributions that draw upon the communications literature to explain the tourism phenomenon are also particularly welcome. Beyond the focus on culture and communications, the editors recognize the important interrelationships with economies, society, politics, and the environment. The journal publishes high-quality research and applies a double-blind refereeing process. Tourism, Culture & Communication consists of main articles, major thematic reviews, position papers on theory and practice, and substantive case studies. A reports section covers specific initiatives and projects, “hot topics,” work-in-progress, and critical reviews.