反对的场景:曼尼普尔的表演和抗议

IF 0.3 3区艺术学 0 ASIAN STUDIES ASIAN THEATRE JOURNAL Pub Date : 2021-10-13 DOI:10.1353/atj.2021.0028

J. Menon

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引用次数: 0

摘要

摘要:本文考察了三个抗议场景，分别来自短篇小说、戏剧作品和公众抗议。它认为，这些场景表明，当言语本身被听不见时，具体化的反对作为声音的力量。这些场景中尖叫、赤裸的身体超越了自由主义对代理声音的概念，并将脆弱性和暴露重新定义为一种政治行动模式。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Scenes of Objection: Performance and Protest in Manipur

Abstract:This article examines three scenes of protest, from a short story, a theatre production, and a public protest, respectively. It argues that these scenes demonstrate the power of embodied objection to function as voice when speech itself is unheard. The screaming, naked bodies in these scenes exceed liberal conceptions of agential voice and reconceptualize vulnerability and exposure as a mode of political action.

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ASIAN THEATRE JOURNAL Multiple-

CiteScore

0.40

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0.00%

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