K-pop非面对面演出内容多元化研究

{"title":"K-pop非面对面演出内容多元化研究","authors":"Jin-Yi Jeong","doi":"10.31313/lc.2022.09.85.271","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":51961,"journal":{"name":"Literator-Journal of Literary Criticism Comparative Linguistics and Literary Studies","volume":"3 1","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2022-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Study on the Diversification of K-pop Non－face－to－face Performance Contents\",\"authors\":\"Jin-Yi Jeong\",\"doi\":\"10.31313/lc.2022.09.85.271\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":51961,\"journal\":{\"name\":\"Literator-Journal of Literary Criticism Comparative Linguistics and Literary Studies\",\"volume\":\"3 1\",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-09-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Literator-Journal of Literary Criticism Comparative Linguistics and Literary Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31313/lc.2022.09.85.271\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Literator-Journal of Literary Criticism Comparative Linguistics and Literary Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31313/lc.2022.09.85.271","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}