通过数字技术在野外工作中使不可见变为可见

IF 0.1 4区 艺术学 Q3 Arts and Humanities Future Anterior Pub Date : 2021-10-12 DOI:10.5749/futuante.17.2.0031
Andrew Johnston
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引用次数: 1

摘要

摘要:数字技术在遗产相关野外工作中的兴起为数字保护、研究和学术研究提供了新的潜力和新的挑战。潜力包括速度、准确性和可视化的新机会,而挑战包括掌握必要的技术专长来收集数据,寻找和资助支持收集和使用数据的技术专家,为数据存档创建适当的协议,以及利用这些数据发现研究和奖学金的价值。数字化保存的目标是“使不可见之物可见”,这有助于为数字技术在遗产研究中的应用和实验制定战略和规划。通过这些技术产生的数据,询问我们可以看到什么新的东西,我们可以讲述什么新的故事,这些技术可以帮助保持它们的应用适度和有目的。本文介绍了采用分析和解释方法的实地研究示例,使用数字技术收集的数据来帮助将不可见的变为可见。主题包括非主导叙事,实践文化景观方法,想象生活经验,以及数字遗产数据的交流和呈现。
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Making the Invisible Visible through Digital Technologies in Fieldwork
Abstract:The rise of digital technologies in heritage-related fieldwork offers new potentials and new challenges for digital preservation, research, and scholarship. Potentials include speed, accuracy, and new opportunities for visualization, while challenges include mastering the necessary technological expertise to collect data, finding and funding the experts in technologies that support the collecting and use of data, creating appropriate protocols for the archiving of data, and discovering value for research and scholarship using this data. The goal for digital preservation of “making the invisible visible” aids in strategizing and planning the application and experimentation of digital technologies in heritage study. Asking what we can see anew, what new stories we can tell, with data generated by these technologies can help keep their application moderated and purposeful. This article presents field study examples that take an analytical and interpretive approach, using the data collected with digital technologies to help make the invisible visible. Themes include nondominant narratives, practicing a cultural landscapes approach, imagining lived experience, and communication and presentation of digital heritage data.
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Future Anterior
Future Anterior Arts and Humanities-Visual Arts and Performing Arts
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